Adam and Eve

1. Pierre Mariette (1634-1716), Paris [his inscription, verso, Lugt 1789]. Sir Francis Seymour Haden (1818-1910), London [his stamp, verso, Lugt 1227]. John Pierpont Morgan (1837-1913), New York [Lugt 1509]. Sold by Emil Hirsch to the Art Institute, 1944.

Recorded by Art Institute of Chicago.

• The Art Institute of Chicago, May 1, 1987–February 9, 1989 (Allerton gallery 209A), no. cat.
• The Art Institute of Chicago, “Altered and Adorned: Using Renaissance Prints in Daily Life,” April 30–July 10, 2011, p. 82, fig. 70 (ill.).

• Joseph Meder, Dürer-Katalog (Vienna, 1932), pp. 69-70, no. 1.
• Walter L. Strauss, The Intaglio Prints of Albrecht Dürer: Engravings, Etchings, and Drypoints (New York, 1976), pp. 128-132, no. 42.
• Walter L. Strauss (ed.), The Illustrated Bartsch, Vol. 10 Sixteenth Century German Artists: Albrecht Dürer (New York, 1981), pp. 10-11, no. 1.
• Bruce Thomas Boehrer, Parrot Culture (Philadelphia, 2004), p. 73, fig. 17.

Salvator Mundi

The Metropolitan Museum of Art

Virgin and Child with Saint Anne

The Metropolitan Museum of Art

Head of a Young Woman

The Metropolitan Museum of Art

Music-Making Angels

The Metropolitan Museum of Art

Melencolia I

The Metropolitan Museum of Art

Adam and Eve

The Metropolitan Museum of Art

"Alberti Dvreri pictoris et architecti praestantissimi De vrbibvs..."

The Metropolitan Museum of Art

Man of Sorrows with Arms Outstretched

The Metropolitan Museum of Art

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