Afterglow

1. The artist; with the National Academy of Design, New York, sold to the Art Institute of Chicago, 1914.

Recorded by Art Institute of Chicago.

• New York, National Academy of Art, Eighty–Ninth Annual Exhibition, Mar. 21–Apr. 26, 1914, no. 287.
• Minnesota State Fair, Fall, 1922.
• Minneapolis Institute of Arts, 1926.
• San Francisco, California Palace of the Legion of Honor, <em>Exhibition of Paintings: Collection of the Friends of American Art</em>, June 26–July 26, 1926, cat. 15, as <em>New York</em>.
• Chicago, Carson Pirie Scott & Co. Galleries, Paintings by Jonas Lie and Etchings by Samuel Chamberlain, Nov. 1929, no. 15.
• Chicago, Garfield Park Art Galleries, <a href="https://www.artic.edu/exhibitions/5706/garfield-park-art-galleries-exhibition-of-greek-sculptures-and-american-paintings"><em>Exhibition of Greek Sculptures and American Paintings Lent by the Art Institute of Chicago</em></a>, Nov. 5, 1935–Mar. 3, 1936, cat. 14.
• Indiana, South Bend Art Association, American Painting in the Manner of the Late Nineteenth and Early Twentieth Centuries, Feb. 10–Mar. 31, 1948.
• New York, Academy of Arts and Letters, An Exhibition of Painting and Sculpture, Commemorating the Armory Show of 1913 and the First Exhibition of the Society of Independent Artists in 1917, 1955, no. 24.
• National Academy of Design, New York, Rave Reviews: One Hundred Years of Great American Art, Sept. 20–Dec. 31, 2000; Tulsa, Oklahoma, Gilcrease Museum, Jan. 31 Apr. 1, 2001; Indianapolis Museum of Art, Apr. 21–June 24, 2001.
• Yonkers, Hudson River Museum, Industrial Sublime: Modernism and the Transformation of New York's Rivers, 1900–1940, Oct. 12, 2013–Jan. 19.2014; West Palm Beach, Norton Museum of Art, Mar. 20–June 22, 2014.

• <em>Friends of American Art Yearbook, 1914–1916</em>, 5th ed. (1916), 22, 84, 101 (ill.).
• Cornelia B. Sage Quinton, <em>Exhibitions of Paintings: Collection of the Friends of American Art</em>, exh. cat. (California Palace of the Legion of Honor, 1926), n.p., cat. 15, as <em>New York</em>.
• Robert J. Dunham, <em>Exhibition of Greek Sculptures and American Paintings Lent by the Art Institute of Chicago</em>, exh. cat. (Chicago Park District, 1935), n.p., cat. 14.
• Judith A. Barter, et al., <em>The Age of American Impressionism: Masterpieces from the Art Institute of Chicago</em> (Art Institute of Chicago, 2011), cat. 89 (ill.).
• Katherine Manthorne, “A Woman’s Perspective on the Industrial Sublime,” in <em>Industrial Sublime: Modernism and the Transformation of New York’s Rivers, 1900–1940 (The Visitor in the Landscape)</em>, ed. Kirsten M. Jensen and Bartholomew F. Bland (Hudson River Museum, 2013) (ill.).

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