An Alpine Scene

1. Albert Allison Munger (died 1898), Chicago; bequeathed to the Art Institute, 1901.

Recorded by Art Institute of Chicago.

• City Art Museum of St. Louis, Loan Exhibition of French Paintings, January 1931, cat. 7.
• Art Institute of Chicago, A Century of Progress, June 1–November 1, 1933, no. 236.
• Art Institute of Chicago, A Century of Progress, June 1–November 1, 1934, no. 174.
• Baltimore Museum of Art, An Exhibition of Paintings by Courbet, May 3–29, 1938, cat. 18.
• Arts Club of Chicago, Courbet, January 3–27, 1941, cat. 1.
• Venice, XXVIIe Biennale, Courbet, June 19–October 17, 1954, cat. 48.
• Musée des Beaux-Arts de Lyon, Gustave Courbet, November 1–December 31, 1954, cat. 53.
• Paris, Petit Palais, Gustave Courbet, 1955, cat. 95.
• New York, Paul Rosenberg and Co., Loan Exhibition of Paintings by Gustave Courbet, January 16–February 11, 1956, cat. 18.
• Providence, Rhode Island School of Design, Paintings by Gustave Courbet, November 28, 1956–January 2, 1957, no cat.
• Wichita Art Museum, Civilization Revisited, December 4, 1971–January 30, 1972, no cat. no.
• New York, Salander-O’Reilly Galleries, Courbet: Late Paintings, January 6–February 28, 1998, cat. 29; Roslyn Harbor, New York, Nassau County Art Museum, March 7–May 29, 1998.

• Charles Francis Browne, “The Permanent Collections in the Museum of the Art Institute of Chicago. VII. The Munger Collection,” Brush and Pencil 3, 2 (1898), p. 70.
• “Chicago, ILL: The Art Institute of Chicago,” American Art Annual (1898), p. 143.
• Art Institute of Chicago, General Catalogue of Objects in the Museum (Chicago: Art Institute of Chicago, 1901), p. 172, no. 184.
• Art Institute of Chicago, General Catalogue of Objects in the Museum (Chicago: Art Institute of Chicago, 1904), p. 178, no. 184.
• Art Institute of Chicago, General Catalogue of Sculpture, Paintings and Other Objects (Chicago: Art Institute of Chicago, 1907), p. 190, no. 184.
• Art Institute of Chicago, General Catalogue of Sculpture, Paintings and Other Objects (Chicago: Art Institute of Chicago, 1910), p. 177, no. 184.
• Harriet Monroe, “New Demands Made Necessary by Growth of the Art Institute,” Chicago Daily Tribune (July 14, 1912), p. A7.
• Art Institute of Chicago, General Catalogue of Paintings, Sculpture and Other Objects in the Museum (Chicago: Art Institute of Chicago, 1913), p. 120, no. 184.
• Art Institute of Chicago, General Catalogue of Paintings, Sculpture, and Other Objects in the Museum (Chicago: Art Institute of Chicago, 1914), p. 124, no. 184.
• Art Institute of Chicago, Catalogue of Paintings, Drawings, Sculpture and Architecture (Chicago: Art Institute of Chicago, 1917), p. 124, no. 184.
• Théodore Duret, Courbet (Paris: Bernheim Jeune and Cie, 1918), p. 149.
• Art Institute of Chicago, Handbook of Sculpture, Architecture, Paintings and Drawings (Chicago: Art Institute of Chicago, 1920), p. 29, no. 184.

After the Hunt

The Metropolitan Museum of Art

Louis Gueymard (1822–1880) as Robert le Diable

The Metropolitan Museum of Art

Madame Auguste Cuoq (Mathilde Desportes, 1827–1910)

The Metropolitan Museum of Art

Woman with a Parrot

The Metropolitan Museum of Art

Madame Frederic Breyer (Fanny Hélène Van Bruyssel, 1830–1894)

The Metropolitan Museum of Art

Hunting Dogs with Dead Hare

The Metropolitan Museum of Art

Mère Grégoire

Art Institute of Chicago

The Rock of Hautepierre

Art Institute of Chicago

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