Battle Scene with Horses and Men by Domenico Campagnola
Art Institute of ChicagoPublic domain

Battle Scene with Horses and Men

Domenico Campagnola · c. 1517

Provenance

Ownership history

  1. Peter Lely [stamp (Lugt 2092), recto, lower right, in black]. F. Abbott [embossed stamp (Lugt 970), recto, lower right, on mount]. Unknown collector [stamp (F.B. within inverted heart; not in Lugt) on former mount]. Sold, Puttick & Simpson, London, Aug. 6-7, 1914, to William F. E. Gurley (1854–1943), Chicago [stamp (Lugt 5308), ecto, lower right and verso, center on mount, in black; Gurley Card Index]; given to the Art Institute of Chicago for the Leonora Hall Gurley Memorial Collection, 1922 [stamp (Lugt 1230b), verso, center on mount, in black].

Recorded by Art Institute of Chicago.

Exhibitions

Exhibition history

  • Art Institute of Chicago, "The Leonora Hall Gurley Collection of Drawings: Early Italian," Mar. 5-Apr. 30, 1922, cat. 4.
  • Art Institute of Chicago, "Italian drawings in the Art Institute of Chicago," Apr. 17-July 31, 1980, pp. 24-25, no. 8, pl. 14 (as Luca Cambiaso); also, National Gallery of Art, Washington, D.C.
  • Northhampton, Mass., Smith College Museum of Art, "Antiquity in the Renaissance," April 6-June 6, 1978, cat. by Wendy Stedman Sheard, cat. 46.
  • Art Institute of Chicago, "Drawings Rediscovered: Italian Drawings before 1600 in The Art Institute of Chicago," April 10, 1997-July 22, 1997.

Literature

Published references

  • Wilhelm Suida, "Tizian, die beiden Campagnola und Ugo da Carpi," Critica d'Arte 1 (1935-36), pp. 287.
  • Ulrich Middeldorf, Manuscript for a catalogue of drawings, The Art Institute of Chicago (Chicago,1938-40), no. 122.
  • Hans Tietze and Erica Tietze-Conrat, The Drawings of the Venetian Painters in the 15th and 16th Centuries (New York, 1944), p. 126, no. 451.
  • Early Italian Engravings From the National Gallery of Art, exhibition cat. by Jay Levenson, Konrad Oberhuber, and Jacquelyn Sheehan (Washington, D.C., National Gallery of Art, 1973) p. 431.
  • Wendy Steadman Sheard, Antiquity in the Renaissance, exhibiton cat., Smith College Museum of Art (Northampton, 1978), no. 46.
  • Elisabetta Saccomani, "Alcune proposte per il catalogo dei disegni di Domenico Campagnola," Arte Veneta 32 (1978), pp. 106-11.
  • Harold Joachim, Italian Drawings of the 15th, 16th, and 17th Centuries, The Art Institute of Chicago (Chicago, 1979), p. 40, no. 1G7 (as Luca Cambiaso).
  • Elisabetta Saccomani, "Domenico Campagnola: gli anni della maturità," Arte Veneta 34 (1980), pp. 63-77.
  • Suzanne Folds McCullagh and Laura M. Giles, Italian Drawings before 1600 in The Art Institute of Chicago: A Catalogue of the Collection (Chicago, 1997), p. 65, no. 81 (ill.).

Comparables

Related holdings by the same hand

Museum holdings, not sale records. Auction results are only shown when a licensed price source is connected.

Research assistant

Ask about this record