Blacklash

1. Given by the artist to Alice K. Lewis, Chicago, in the mid 1960s [this and the following, email from Michael McGinnis, Mnuchin Gallery, New York, Jan. 25, 2020; copy in object file]; by descent to Amanda E. Hopkins, Chicago, c. 1990; by descent to her husband Roy B. Sutton, Chicago, 2000; by descent to his stepson Carson P. Phillips, Albuquerque, 2015; sold to Aaron Payne Fine Art, Santa Fe, 2015; sold to private collection, New York, 2016; sold Mnuchin Gallery, New York, to the Art Institute of Chicago, 2020.

Recorded by Art Institute of Chicago.

• New York, Mnuchin Gallery, Ed Clark: A Survey, Sept. 14–Oct. 20, 2018, no cat. no.
• Margate, England, Turner Contemporary, Ed Clark, May 25, 2024-Sept. 1, 2024, no cat.

• Sukanya Rajaratnam, Ed Clark: A Survey, exh. cat. (Mnuchin Gallery, 2018), pp. 26, 27 (color ill.).
• Roberta Smith, “Art Review: The Paint Remains the Point,” The New York Times, Sept. 28, 2018, p. C15.
• Roberta Smith, “Ed Clark, Pioneering Abstract Painter, Dies at 93,” The New York Times, Oct. 21, 2019, p. A26d.
• Michaela Unterdörfer, Jake Brodsky, Michel Conil-Lacoste, Shani Tzoref, Anita Feldman, Barbara Cavaliere, George R N'Namdi, et al., Ed Clark the Big Sweep: Chronicles of a Life 1926-2019 (London: Hauser & Wirth, 2023), 72, 78-79 (color ill.).

Untitled

Art Institute of Chicago

Taos

Art Institute of Chicago

A Mansion at Prairie Avenue

Art Institute of Chicago

Sleeping Infant Faun Visited by an Inquisitive Rabbit

Art Institute of Chicago

Mid American

Art Institute of Chicago

The Coffee House

Art Institute of Chicago

Portrait of Mrs. James Ward Thorne

Art Institute of Chicago

Minnie

Art Institute of Chicago

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