Bordighera

1. The artist (d. 1926); sold to Isidore Montaignac, Paris, as the agent for Knoedler and Company, New York, September 1891 [this and the following per Wildenstein 1996]; sold to Potter Palmer (d. 1902), Chicago, September 1891; by descent to the Potter Family; given to the Art Institute of Chicago, 1922.

Recorded by Art Institute of Chicago.

• Paris, Georges Petit, 6e exposition internationale de peinture et de sculpture, May 8–June 8, 1887, no cat. no.
• Boston, Copley Society, Loan Collection of Paintings by Claude Monet and Eleven Sculptures by Auguste Rodin, Mar. 1905, cat. 18, as Bordighera, 1884. Lent by Mrs. Potter Palmer.
• Art Institute of Chicago, Paintings from the Collection of Mrs. Potter Palmer, May 10–Nov., 1910, cat. 33, as Antibes.
• Art Institute of Chicago, “A Century of Progress”: Loan Exhibition of Paintings and Sculpture, May 23–Nov. 1, 1933, cat. 290A.
• Art Institute of Chicago, “A Century of Progress”: Loan Exhibition of Paintings and Sculpture for 1934, June 1–Oct. 31, 1934, cat. 207.
• Toledo (Ohio) Museum of Art, French Impressionists and Post–Impressionists, Nov. 1934, cat. 9.
• Oberlin (Ohio) College, Allen Art Museum, Feb. 10–Mar. 19, 1953, no cat.
• Art Institute of Chicago, The Paintings of Claude Monet, Apr. 1–June 15, 1957, no cat. no.
• City Art Museum of St. Louis, Claude Monet: A Loan Exhibition, Sept. 25–Oct. 22, 1957, cat. 58 (ill.); Minneapolis Institute of Arts, Nov. 1–Dec. 1, 1957.
• Art Institute of Chicago, Paintings by Monet, Mar. 15–May 11, 1975, cat. 64 (ill.).
• Paris, Galeries Nationales du Grand Palais, Hommage à Claude Monet (1840–1926), Feb. 8–May 5, 1980, cat. 88 (ill.).
• Paris, Centre Culturel du Marais, Claude Monet au temps de Giverny, Apr. 6–July 17, 1983, cat. 7 (ill.).

• Gustave Geffroy, “Salon de 1887. Hors du Salon: Claude Monet,” La justice, pt. 2 (June 2, 1887), p. 1.
• Gustave Geffroy, “Histoire de l’impressionnisme,” La vie artistique 3, 2 (1894), p. 70.
• Copley Society, Loan Collection of Paintings by Claude Monet and Eleven Sculptures by August Rodin, exh. cat. (Copley Society, 1905), p. 15, cat. 18.
• Art Institute of Chicago, Paintings from the Collection of Mrs. Potter Palmer, exh. cat. (Art Institute of Chicago, 1910), cat. 33.
• Art Institute of Chicago, “Accessions and Loans,” Bulletin of the Art Institute of Chicago 16, 3 (May 1922), p. 47.
• Art Institute of Chicago, Handbook of Sculpture, Architecture, and Paintings, pt. 2, Paintings (Art Institute of Chicago, 1922), p. 68, cat. 830.
• Gustave Geffroy, Claude Monet: Sa vie, son temps, son oeuvre (G. Crès, 1922), p. 273.
• M. C., “Monets in the Art Institute,” Bulletin of the Art Institute of Chicago 19, 2 (Feb. 1925), p. 19.
• Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection (Art Institute of Chicago, 1925), p. 146, cat. 830.
• Art Institute of Chicago, Catalogue of “A Century of Progress”: Exhibition of Paintings and Sculpture; Lent from American Collections, ed. Daniel Catton Rich, 3rd ed., exh. cat. (Art Institute of Chicago, 1933), p. 43, cat. 290A.
• Daniel Catton Rich, “Französische Impressionisten im Art Institute zu Chicago,” Pantheon: Monatsschrift für freunde und sammler der kunst 11, 3 (Mar. 1933), p. 77. Translated by C. C. H. Drechsel as “French Impressionists in the Art Institute of Chicago,” Pantheon/Cicerone (Mar. 1933), p. 18.
• Art Institute of Chicago, Catalogue of “A Century of Progress”: Exhibition of Paintings and Sculpture, 1934, ed. Daniel Catton Rich, exh. cat. (Art Institute of Chicago, 1934), p. 36, cat. 207.

Water Lilies

Art Institute of Chicago

Arrival of the Normandy Train, Gare Saint-Lazare

Art Institute of Chicago

Stacks of Wheat (End of Summer)

Art Institute of Chicago

Cliff Walk at Pourville

Art Institute of Chicago

Water Lily Pond

Art Institute of Chicago

The Beach at Sainte-Adresse

Art Institute of Chicago

Stacks of Wheat (End of Day, Autumn)

Art Institute of Chicago

Branch of the Seine near Giverny (Mist)

Art Institute of Chicago

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