Boxer

1. Frank Breckenridge, Chicago, by June 4, 1948 [incoming permanent receipt R9285, June 4, 1948; copy in curatorial object file]; sold to the Art Institute of Chicago, 1948.

Recorded by Art Institute of Chicago.

• New York, International Print Society, <em>Sculpture by Richmond Barthé</em>, Mar. 26–Apr. 14, 1945, brochure.
• Los Angeles, Landau/Travelling Exhibitions, <em>Two Sculptors, Two Eras: Richmond Barthé, Richard Hunt</em>, cat.; Chicago, Terra Museum of American Art, June 16–Aug. 9, 1992; Washington, DC, Smithsonian Institution, Anacostia Museum, Dec. 20, 1992–Feb. 28, 1993; Hampton, VA, Hampton University Museum, Apr. 1–May 14, 1993; Chattanooga, TN, Hunter Museum of Art, Dec. 5, 1993–Jan. 30, 1994, Dallas, African American Museum, Feb. 15–Apr. 15, 1994; Lubbock, TX, Museum of Texas Tech., c. May 1–Aug. 14, 1994; New Orleans Museum of Art, Sept. 1–Oct. 31, 1994; Odessa, TX, Art Institute of the Permian Basin, no dates; Columbus, OH, King Arts Complex, no dates; Monroe, LA, Masur Museum of Art, c. Jan. 1–c. Feb. 28, 1995.
• Art Institute of Chicago, <em>A Century of Collecting: African American Art in the Art Institute of Chicago</em>, Feb. 15–May 18, 2003, no cat.

• International Print Society, <em>Sculpture by Richmond Barthé</em>, exh. brochure (International Print Society, 1945), cat. 8 (listed, not ill.).
• Samella Lewis, <em>Two Sculptors; Two Eras: Richmond Barthé, Richard Hunt</em>, exh. cat. (Landau/Travelling Exhibitions, 1992), 3 (ill.).
• Margaret Rose Vendryes, <em>Expression and Repression of Identity: Race, Religion, and Sexuality in the Art of American Sculptor Richmond Barthé</em> (PhD dissertation, Princeton University, 1997), 379–87 (ill.).
• Susan F. Rossen et al., “African Americans in Art: Selections from the Art Institute of Chicago,” <em>Art Institute of Chicago Museum Studies</em> 24, 2 (1999): 141, 184, 200–201, no. 11 (ill.).
• Judith A. Barter, et al., <em>American Modernism at the Art Institute of Chicago, From World War I to 1955</em> (Art Institute of Chicago/Yale University Press, 2009), 285-86, cat. 139 (ill.).
• Jordana Moore Saggese, <em>Reading Basquiat: Exploring Ambivalence in American Art</em>, (University of California Press, 2014) (ill.).
• Jordan Carter and Sarah Kelly Oehler, "Black Art Matters to This Prominent Museum," interview by Wendy Altschuler, <em>Forbes</em>, June 8, 2020, <a href="https://forbes.com/sites/wendyaltschuler/2020/06/08/black-art-matters-to-this-prominent-museum"> https://forbes.com/sites/wendyaltschuler/2020/06/08/black-art-matters-to-this-prominent-museum</a> (ill.).

Boxer

The Metropolitan Museum of Art

Art in Washington and its Afro-American presence : 1940-1970

The Metropolitan Museum of Art

Black power, black art ... and the struggle continues : political imagery from the Black Arts Movement of the 1960s and 1970s

The Metropolitan Museum of Art

Exhibition of work by Negro artists

The Metropolitan Museum of Art

Uncle Bob

The Metropolitan Museum of Art

Unloading

The Metropolitan Museum of Art

"O Sing a New Song"

The Metropolitan Museum of Art

The Fatal Bellman

Art Institute of Chicago

Museum holdings, not sale records. Auction results are only shown when a licensed price source is connected.