
Art Institute of Chicago
Broken and Restored Multiplication
Suzanne Duchamp · 1918–19
Provenance
Ownership history
- The artist, Paris, until at least 1921 [Paris 1921 and Anquinet 2017]; probably with the Duchamp family until the late 1940s. Enrico Donati (1909-2008), New York, possibly through Sidney Janis, New York, late 1940s [this and the following according to Jan. 7, 2004, phone conversation between Enrico Donati and Stephanie D’Alessandro; notes in curatorial object file] until at least 1967 [Rouen 1967]; given to his daughter, Marina Donati, Paris. René-Jean Ullmann (1932-2018), Paris, by 1980 [Vergine 1980] and until at least 1986 [verso label]. Galerie 1900–2000, Paris, by 1994 [verso label]. Rachel Adler Gallery, New York, by 1994; sold to the Art Institute of Chicago, Nov. 14, 1994.
Recorded by Art Institute of Chicago.
Exhibitions
Exhibition history
- Paris, Grand Palais, Salon des Artistes Indépendants, Jan. 28–Feb. 29, 1920, cat. 4891.
- Paris, Galerie Montaigne, Exposition des Oeuvres de Suzanne Duchamp et Jean Crotti, Apr. 4-16, 1921, cat. 5.
- New York, Sidney Janis Gallery, Dada, Apr. 15-May 9, 1953, cat. 152.
- Rouen, Musée des Beaux Arts, Les Duchamps: Jacques Villon, 1875-1963, Raymond Duchamp-Villon, 1876-1918, Marcel Duchamp, 1887- , Suzanne Duchamp, 1886-1963, Apr. 15–June 1 1967, no cat. no.
- Milan, Palazzo Reale, L’Altra Metà dell’Avanguardia, 1910-1940, 1980, no cat. no.
- Bern, Kunsthalle Bern, Tabu Dada, Jean Crotti & Suzanne Duchamp, 1915-1922, Jan. 2-Feb. 27, 1983, no. 61; Paris, Centre Pompidou, Apr. 6-May 30, 1983; Houston Museum of Fine Arts, July 29-Oct. 16, 1983; Philadelphia Museum of Art, Dec. 1983-Jan. 1984.
- Los Angeles, County Museum of Art, The Spiritual in Art: Abstract Painting 1890-1985, Nov. 23-Mar. 8, 1987, no. 35; Chicago, Museum of Contemporary Art, Apr. 17-July 19, 1987; The Hague, Haags Gemeentemuseum, Sept. 1-Nov. 22, 1987.
- Zurich, Kunsthaus Zurich, Dada Global, Aug. 12-Nov. 6, 1994, cat. 436.
- Columbus, OH, Wexner Center for the Arts, Staging Surrealism: A Succession of Collections, Sept. 19, 1997-Jan. 4, 1998, no cat. no.
- Paris, Centre Pompidou, Dada: Paris, Washington, New York, Oct. 5, 2005–Jan. 9, 2006, no cat. no; Washington, D.C., Feb. 19–May 14, 2006, cat. 256; New York, The Museum of Modern Art, June 18–Sept. 11, 2006.
- New York City, New Museum, Judy Chicago: Herstory, Oct. 12, 2023-Mar. 3, 2024, no cat. no.
- Remagen, Germany, Arp Museum Bahnhof Rolandseck, der die DADA. Regendering dada, July 7, 2024-Jan. 12, 2025, no cat. no.
Literature
Published references
- Société des Artistes Indépendants, 31e Exposition au Grand-Palais des Champs-Elysées, exh. cat. (Paris: Société des Artistes Indépendants, 1920), 187, cat. 4891 (not ill.).
- Galerie Montaigne, Exposition des Oeuvres de Suzanne Duchamp et Jean Crotti, exh. cat. (Paris: Galerie Montaigne, 1921), n.p., cat. 5 (not ill.).
- Simonne Ratel, "Suzanne Duchamp et Jean Crotti, apôtres de la 'peinture pure,'" Comœdia (Sept. 16, 1926), 1 (not ill.).
- Sidney Janis Gallery, Dada, 1916-1953, exh. brochure (New York: Sidney Janis Gallery, 1953), cat. 152 (not ill.).
- Herta Wescher, “Collages and the Breakdown of Optical Unity,” in Graphis: International Journal for Graphic and Applied Art, Vol. 11, no. 57 (Jan. 1955), 52 (ill.).
- Nane Bettex-Cailler, ed., Les Cahiers d’Art–Documents, no. 56, Suzanne Duchamp (Geneva: Editions Pierre Cailler, 1957), 7 (ill.), 8.
- Musée des Beaux-Arts de Rouen, Les Duchamps: Jacques Villon, 1875-1963, Raymond Duchamp-Villon, 1876-1918, Marcel Duchamp, 1887- , Suzanne Duchamp, 1886-1963, exh. cat. (Rouen: Impr. Lainé, 1967), 135, no cat. no. (not ill.).
- Herta Wescher, Collage, trans. Robert E. Wolf (New York: Henry N. Abrams, 1968), 166, n.p., pl. 107 (ill.), 404 as Multiplication Broken and Re-Established.
- William A. Camfield and Jean-Hubert Martin, eds., Tabu Dada: Jean Crotti & Suzanne Duchamp, 1915-1922, exh. cat. (Bern: Kunsthalle Bern, 1984), 18, 36, 55, 91, cat. 61, 125 (color ill.).
- Maurice Tuchman, ed., The Spiritual in Art: Abstract Painting, 1890-1985, exh. cat. (Los Angeles: Los Angeles County Museum of Art and New York: Abbeville Press, 1986), 46, pl. 34 (color ill.), 47, 422, no cat. no.
- Raimund Meyer, ed., Dada Global, exh. cat. (Zürich: Kunsthaus Zurich, 1994), n.p., cat. 436 (color ill.).
- James N. Wood and Teri J. Edelstein, The Art Institute of Chicago: Twentieth-Century Painting and Sculpture (Chicago: The Art Institute of Chicago and New York: Hudson Hills Press, 1996), 44 (color ill.).
Comparables
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Woman at Her Bath
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