Casket with Scenes of David and Solomon

1. Frédéric Spitzer, Paris (d. 1890); his estate sale, Paris, Chevallier and Mannheim, April 17 - June 16, 1893, no. 467, pl. 16; acquired by Durand-Ruel as agent for Martin A. Ryerson [according to copy of receipt in curatorial file]; Martin A. Ryerson, Chicago (d. 1932); by descent to his widow (d. 1937); bequeathed to the museum.

Recorded by Art Institute of Chicago.

• New York, The Cooper Union Museums for the Arts of Decoration, Enamel: An Historic Survey to the Present Day, 1954, no. 87.
• New York, Museum of Contemporary Crafts of the American Craftsman's Council, Enamels. September 18-November 29, 1959, no. 2.
• The Art Institute of Chicago, Renaissance Decorative Arts from Chicago Collections, March 2 – June 14, 1987.

• Claudius Popelin et al, La collection Spitzer, vol. 2: Emaux peints, etc. (Paris, 1891), pp. 34-35, no. 50.
• Bessie Bennett, "Some Examples of French Enamel Painting," Bulletin of the Art Institute of Chicago, 27 (1933) p. 99.
• Ulrike Weinhold, Staatliche Kunstsammlungen Dresden, Maleremail aus Limoges im Grünen Gewölbe (Munich and Berlin, 2008), pp.52, 53 n. 16.
• Suzanne Higgott, The Wallace Collection. Catalogue of Glass and Limoges Painted Enamels (London, 2011), pp. 228, 229, n. 63 [no. 467 in the Spitzer sale).

Pietà

Art Institute of Chicago

Lily Lamp

Art Institute of Chicago

The Studio

Art Institute of Chicago

Artist's Studio "Foot Medication"

Art Institute of Chicago

Private Affair I

Art Institute of Chicago

Study after Apollo Revealing his Divinity before the Shepherdess Isse

Art Institute of Chicago

Diego Seated in the Studio

Art Institute of Chicago

Conversation in Studio

Art Institute of Chicago

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