Chak Ak’ Paat Kuy ("Red Turkey") Playing the Ballgame

1. Walter Randel Gallery, New York, by 1965 [incoming receipt, June 18, 1965, and letter from Gordan Ekholm, June 15, 1965; copies in curatorial file; Wardwell 1967]; sold to the Art Institute of Chicago, 1965.

Recorded by Art Institute of Chicago.

• Fort Worth, TX, Kimbell Art Museum, <em>Blood of Kings: Dynasty and Ritual in Maya Art</em>, May 17–Aug. 24, 1986, cat. 101; Cleveland Museum of Art, Oct. 8–Dec. 14, 1986.
• Leiden, Netherlands, Rijksmuseum voor Volkenkunde, <em>Ulama: het balspel bij de Maya's en Azteken, 2000 v. Chr.–2000 n. Chr.: van mensenoffer tot sport</em> [Ulama: the ballgame of the Mayas and Aztecs, 2000 BC–AD 2000: from human sacrifice to sport], June 18–Sept. 12, 1988, cat. 148.
• Art Institute of Chicago, <a href="https://www.artic.edu/exhibitions/7966/the-ancient-americas-art-from-sacred-landscapes"><em>The Ancient Americas: Art from Sacred Landscapes</em></a>, Oct. 10, 1992–Jan. 3, 1993, cat. 125, as <em>Panel Depicting Ball Game</em>; Houston, Museum of Fine Arts, Feb. 4–April 18, 1993; Los Angeles County Museum of Art, June 6–Aug. 15, 1993.
• Art Institute of Chicago, <a href="https://www.artic.edu/exhibitions/8880/chicago-s-dream-a-world-s-treasure-the-art-institute-1893-1993"><em>Chicago’s Dream, A World’s Treasure: The Art Institute, 1893–1993</em></a>, Nov. 1, 1993–Jan. 9. 1994 (not in cat.).

• The Art Quarterly, “Recent Accessions of American and Canadian Museums,” <em>The Art Quarterly</em> 28, no. 1–2 (1965): 104 (as “wall panel”).
• The Art Quarterly, “Recent Accessions of American and Canadian Museums,” <em>The Art Quarterly</em> 29, no. 1 (1966): 71, fig. 77, center (ill.), (as “Stele”).
• Allen Wardwell, "A Maya Ball Game Relief," <em>Art Institute of Chicago Museum Studies</em>, 2 (1967): 62–73 (ill.), <a href="https://www.jstor.org/stable/4108782"> https://www.jstor.org/stable/4108782</a>.
• Clemency Coggins, “Illicit Traffic of Pre-Columbian Antiquities,” <em>Art Journal</em> (Fall 1969): 96 (as “El Cayo, ballplayer panel, 4”).
• Allen Wardwell, "Mayan Treasures at the Art Institute of Chicago," <em>Apollo: The International Magazine of Arts</em> (June 1972): 491, fig. 8 (ill.).
• John Maxon, <em>The Art Institute of Chicago</em> (Thames and Hudson, 1970), 241–42 (ill.), as <em>Wall Panel</em>.
• Michael D. Coe, <em>Maya Scribe and His World</em> (Grolier Club, 1973), 29-30, cat. 4 and 5.
• Mary W. Helms, <em>Middle America: A Culture History of Heartland and Frontiers</em> (Englewood Cliffs, NJ: Prentice Hall, 1975), 65, fig. 5.6 (ill.).
• John Maxon, <em>The Art Institute of Chicago</em>, revised ed. (Thames and Hudson, 1977, reprinted 1983, 1987), 241–42 (ill.), as <em>Wall Panel</em>.
• Karl Herbert Mayer, <em>Maya Monuments: Sculptures of Unknown Provenance in the United States</em> (Ramona, CA: Acoma Books, 1980), 17–19, cat. 5; pl. 26 (ill.).
• John Maxon, ed., <em>The Art Institute of Chicago</em> (London: Thames and Hudson, 1977), 241–42.
• Linda Schele and Mary Ellen Miller, <em>The Blood of Kings: Dynasty and Ritual in Maya Art</em>, exh. cat. (G. Braziller; Fort Worth, TX: Kimbell Art Museum, 1986), 256–257, 266, pl. 101 (ill.).

Mirror-bearer

The Metropolitan Museum of Art

Vessel with mythological scene

The Metropolitan Museum of Art

Relief with enthroned ruler

The Metropolitan Museum of Art

Whistle with the Maize God emerging from a flower

The Metropolitan Museum of Art

Crocodile whistle and rattle

The Metropolitan Museum of Art

Chahk (rain god)

The Metropolitan Museum of Art

Vessel with water bird and hieroglyphic text

The Metropolitan Museum of Art

Scepter with profile figures

The Metropolitan Museum of Art

Museum holdings, not sale records. Auction results are only shown when a licensed price source is connected.