Champs de Mars: The Red Tower

1. The artist; sold through Galerie L’Effort Moderne, Paris, to Tarsila do Amaral (1886–1973), Paris and São Paolo, Brazil, 1923 [this and the following according to letter from Aracy A. Amaral, July 15, 1975, in curatorial file]; sold to the Galerie Michel Couturier, Paris, c. 1952. Sold through Justin K. Thannhauser, New York, to the Art Institute, 1959.

Recorded by Art Institute of Chicago.

• Paris, Galerie Barbazanges, Les Peintres R. Delaunay, Marie Laurencin, February 28–March 13, 1912, cat. 5.
• Berlin, Galerie der Sturm, XII Ausstellung: R. Delaunay, Ardengo Soffici, Julie Baum, February 1913, cat. 1.
• Budapest, Museum House, International Post-Impressionist Exhibition, April–May 1913, cat. 41.
• São Paolo, Brazil, Conservatório Dramático e Musical, June 12, 1924.
• São Paolo, Brazil, Sociedade Pro Arte Moderna, Primero Exposição de Arte Moderna da Sociedade pro Arte Moderna: Pintura, Escultura, Arquitetura, 1933 (ill.), as Torre Eiffel.
• Paris, Orangerie des Tuileries, Robert Delaunay (1885–1941), May 25–August 30, 1976, pp. 21 and 54, cat. 29 (ill.); traveled to Baden-Baden, Staatliche Kunsthalle, September 17–November 7, 1976.
• Philadelphia Museum of Art, Futurism and the International Avant-Garde, October 26, 1980–January 4, 1981, cat. 84 (ill.).
• Nagaoka, Japan, Niigata Prefectural Museum of Modern Art, Masterworks of Modern Art from The Art Institute of Chicago, April 20–May 29, 1994, pp. 92–93, cat. 24 (ill.); traveled to Nagoya, Aichi Prefectural Museum of Art, June 10–July 24, 1994, and Yokohama Museum of Art, August 6–September 25, 1994.
• New York, Solomon R. Guggenheim Museum, Visions of Paris: Robert Delaunay's Series, January 16–April 25, 1998, pp. 32–33, and 35, cat. 30 (ill.); traveled to Berlin, Deutsche Guggenheim, November 7, 1997–January 4, 1998.
• Paris, Centre Georges Pompidou, Robert Delaunay 1906–1914: De L’Impressionisme à Abstraction, June 3, 1999–August 16, 1999, pp. 137 and 147 (ill.).
• Madrid, Museo Thyssen-Bornemisza, Robert y Sonia Delaunay, 1905–1941, October 8, 2002–January 12, 2003, pp. 154–155, cat. 55 (ill.).
• Fort Worth, Kimbell Art Museum, The Age of Picasso and Matisse: Modern Masters from the Art Institute of Chicago, Oct. 6, 2013–Feb. 16, 2014, no cat. no.

• Guillaume Apollinaire, Les Fenêtres (Album edited by R. Delaunay) (Paris, 1912), pl. 3.
• Galerie Barbazanges, Les Peintres R. Delaunay, Marie Laurencin, exh. cat. (Paris: Galerie Barbazanges, 1912), cat. 5.
• Bulletin de L’Effort Moderne 6 (June 1924), n.p. (ill.), as La Tour Eiffel.
• Carl Einstein, Die Kunst des 20 Jahrhunderts (Berlin: Im Propyläen, 1926), 342 and 563 (ill.), as Der Eifelturm.
• Germain Bazin, “L’Orphisme,” L’Amour de l’Art XIV:10 (Dec. 1933), 246 and 248, fig. 311, as La Tour Eiffel.
• Sociedade Pro Arte Moderna, Primero Exposição de Arte Moderna da Sociedade pro Arte Moderna: Pintura, Escultura, Arquitetura, exh. cat. (São Paolo, Brazil: Sociedade Pro Arte Moderna, 1933) (ill.), as Torre Eiffel.
• Zervos, Christian, Histoire de l’Art Contemporain (Paris: Éditions Cahiers d’Art, 1938), 247 (ill.), as La Tour Eiffel.
• “El Juicio de Paris,” Cuadernos Americanos 2:4 (July-August 1943), 59 (ill), as La torre Eiffel.
• do Amaral, Tarsila, “Recordações de Paris,” Habitat 6 (1952), 21 (ill.).
• Léon Degand, “La Peinture Cubiste,” Art d’Aujourd’hui 3–4:4 (1953), 15 (ill.), as Torre Eiffel.
• José Camón Aznar, Picasso y el Cubismo (Madrid: Espasa-Calpe, 1956), 142, fig. 83, as Tour Eiffel.
• Guy Habasque, Robert Delaunay: Du Cubisme à l’Art Abstrait (Paris: S.E.V.P.E.N., 1957), 261 and 362–363, no. 88, as La Tour Eiffel.

Homage to Blériot

Art Institute of Chicago

Saint-Séverin

Art Institute of Chicago

The Suckling of Hercules, plate two from La Galerie du Palais Royal, volume II

Art Institute of Chicago

Arrival of the Morning (La Relève du Matin)

Art Institute of Chicago

C'est papa! (It's papa!)

Art Institute of Chicago

The Happy Accident of the Swing

Art Institute of Chicago

Le carquois épuisé (The Empty Quiver)

Art Institute of Chicago

Les Hazards Heureux De L'Escapolettes (The Happy Accident of the Swing)

Art Institute of Chicago

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