
Art Institute of ChicagoPublic domain
Chimera
Frédéric Charlot de Courcy · 1869
Provenance
Ownership history
- Private collection, France, possibly by descent. Roberto Polo, Paris, by the 1990s; private collection, Europe, after 2011; consigned to Oscar Graf, Paris, 2023; sold to the Art Institute of Chicago, 2024.
Recorded by Art Institute of Chicago.
Exhibitions
Exhibition history
- Paris, Palais des Champs-Élysées, Salon de 1869, cat. 2636.
- Paris, Palais de l'industrie, Union centrale des beaux-arts appliqués à l’industrie, 1876.
Literature
Published references
- G. Boileau, "Industrie et Beaux-Arts. Exposition de l’Union centrale," La Presse, October 31, 1876.
- Pierre-Louis Mathieu, Gustave Moreau: With a Catalogue of the Finished Paintings, Watercolors and Drawings (Boston: New York Graphic Society, 1976), 376 no. 457.
- Geneviève Lacambre, et al. Gustave Moreau: Between Epic and Dream, exh. cat. (Chicago: The Art Institute of Chicago, 1999), 56n1, 284.
- Pascal Massé, "Gustave Moreau, Botticelli et la peinture des maîtres dans les arts du feu sur métaux à la fin du XIXe siècle," Revue de la Société des Amis du musée national de Céramique 10 (2001): 67.
- Anna Tahinci and Stephan Wolohojian, eds. A Private Passion: 19th-Century Paintings and Drawings from the Grenville L. Winthrop Collection, Harvard University (New Haven and New York: The Metropolitan Museum of Art and Yale University Press, 2003), 236, 237n9.
- Pierre-Louis Mathieu and Françoise Siess. Gustave Moreau: Supplément au Nouveau Catalogue de l’œuvre achevé (Paris: ACR Édition, 2006), 18 no. 503.
- Werner Adriaenssens, Roberto Polo: The Eye (London: Frances Lincoln, 2011), 176 (ill.), 177 no. 176.
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Museum holdings, not sale records. Auction results are only shown when a licensed price source is connected.
Research assistant