Christ and the Woman of Samaria

1. Alexander Barker, London, by 1852 to at least 1857 [lent to London 1852 and Manchester 1857]; sold by Barker to William Ward (d. 1885), first Earl of Dudley, London, by 1868 [lent by Dudley to Leeds 1868]; sold Christie’s, London, June 25, 1892 (nos. 76-77, 79-80. The Resurrection, no. 78, was sold separately and is now in the Metropolitan Museum of Art), to Durand-Ruel, Paris and New York, acting on behalf of Martin A. Ryerson [according to letters from Durand-Ruel to Ryerson dated June 25 and 29, 1892 in the Art Institute archives]; sold by Durand-Ruel to Martin A. Ryerson (d. 1932), Chicago, 1893 [according to the bill of sale dated April 8, 1893 in the Art Institute archives]; intermittently on loan to the Art Institute from 1893; bequeathed to the Art Institute, 1933.

Recorded by Art Institute of Chicago.

• London, British Institution, 1852, no. 35.
• Manchester, Art Treasures of the United Kingdom, 1857, no. 87.
• Leeds, National Exhibition of Works of Art, 1868, no. 2907.
• London, Royal Academy of Arts, Works of the Old Masters, 1871, no. 304.
• London, Royal Academy of Arts, Works by the Old Masters, 1892, no. 148.
• The Art Institute of Chicago, Selected Works of Old and Modern Masters, 1898, no. 10.
• The Art Institute of Chicago, A Century of Progress, 1933, no. 123c.
• Chicago, Art Institute of Chicago, Glad Tidings of Great Joy. Christmas at the Art Institute of Chicago, 1993.
• Grand Rapids, Michigan, Grand Rapids Art Museum, Perugino: The Master of the Italian Renaissance, November 15, 1997 – February 1, 1998, no. 1c.
• Perugia, Italy, Gallerie Nazionale dell'Umbria, Perugino: il divin pittore, February 28, 2004 – August 18, 2004, no. I.48c.

• Gustav Friedrich Waagen, Treasures of Art in Great Britain, vol. 2 (London, 1854), p. 127.
• W. Bürger [T. Thoré], Trésors d’art exposés à Manchester en 1857 (Paris, 1857), pp. 34–35.
• W. Bürger [T. Thoré], Trésors d’art en Angleterre, 3rd ed. (Paris, 1865), pp. 34–35.
• J. A. Crowe and G. B. Cavalcaselle, A History of Painting in Italy from the Second to the Fourteenth Century, vol. 3 (London, 1866), pp. 250–51.
• “Leeds Exhibition,” The Art Journal 7 (1868), p. 137.
• John Charles Robinson, A Critical Account of the Drawings by Michel Angelo and Raffaello in the University Galleries, Oxford (Oxford, 1870), pp. 135–36, under no. 20.
• William Roberts, Memorials of Christie’s: A Record of Art Sales from 1766 to 1896, vol. 2 (London, 1897), p. 197.
• Art Institute of Chicago, Catalogue of Objects in the Museum, Part I, Sculpture and Painting, 3d ed. (Chicago, 1898), p. 124, no. 194.
• George C. Williamson, Pietro Vannucci, called Perugino (London, 1903), p. 126.
• Bernard Berenson, The Florentine Painters of the Renaissance, 3d ed. (New York and London, 1909), p. 218.
• J. A. Crowe and G. B. Cavalcaselle, A New History of Painting in Italy from the Second to the Sixteenth Century, ed. by Edward Hutton, vol. 3 (London and New York, 1909), pp. 258, 259 n. 1.
• Bryson Burroughs, “A Painting by Perugino,” Bulletin of The Metropolitan Museum of Art 6, 6 (1911), p. 130.

The Baptism of Christ

Art Institute of Chicago

The Nativity

Art Institute of Chicago

Noli Me Tangere

Art Institute of Chicago

Two Standing Draped Male Figures

Art Institute of Chicago

Jesus Christ descendu de la croix (The Lamentation), from Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France (Cabinet Crozat)

Art Institute of Chicago

Self-Portrait

Art Institute of Chicago

Martin Vanden Bogaert Desjardins

Art Institute of Chicago

Remembrance of Italy

Art Institute of Chicago

Museum holdings, not sale records. Auction results are only shown when a licensed price source is connected.