Christ Appearing to Mary Magdalene (Noli Me Tangere)

1. By descent through the Almenas family, Madrid; by descent to José María de Palaciio y Abárzuza, Conde de als Almenas (died 1940), to 1927; sold, American Art Association, New York, Jan. 13-15, 1927, lot 427, to William Randolph Hearst (died 1951); ownership transferred to the Hearst Foundation; given to the Art Institute, 1954

Recorded by Art Institute of Chicago.

• New York, Gimbel Brothers, Art Objects and Furnishings from the William Randolph Hearst Collection, Presented by Saks Fifth Avenue in cooporation with Gimbel Brothers, 1941 (see Hammer Galleries, 1941).
• Art Institute of Chicago, Regenstein Hall, The Divine Art: Four Centuries of European Tapestry, Nov. 1, 2008–Jan. 4, 2009.

• Hammer Galleries, Art Objects and Furnishings from the William Randolph Hearst Collection, exh. cat. (New York: Hammer Galleries, 1941), 169-6.
• Christa C. Mayer Thurman and Koenraad Brosens, “Flemish Tapestries in the Collection of The Art Institute of Chicago.” In Flemish Tapestry in European and American Collections: Studies in Honour of Guy Delmarcel, ed. Koenraad Brosens (2003): 173.
• Koenraad Brosens, ed., Christa C. Mayer Thurman, gen. ed., European Tapestries in the Art Institute of Chicago, exh. cat., [exhibition: "The Divine Art: Four Centuries of European Tapestries in the Art Institute of Chicago"] (Chicago: Art Institute of Chicago, 2008) 103-107, cat. 12 (ill.).

Excavation

Art Institute of Chicago

Untitled XI

Art Institute of Chicago

Untitled

Art Institute of Chicago

Two Women's Torsos

Art Institute of Chicago

Litho #2 (Waves #2)

Art Institute of Chicago

Head #3

Art Institute of Chicago

Untitled

Art Institute of Chicago

Study for "Woman VI"

Art Institute of Chicago

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