Christ Presented to the People

1. Italian art market. Count Contini, Rome, by 1923 [Friedländer 1927]. Roerich Museum, New York, by 1927; sold, American Art Association, Anderson Galleries, New York, Mar. 27–28, 1930, no. 64, to Ryerson for $7,000 [exhibited at the Roerich Museum in 1927; Robert Harshe, director of the Art Institute, acted as Ryerson’s agent at the Roerich sale; letter from Harshe to Ryerson, Apr. 1, 1930, Art Institute Archives].; Martin A. Ryerson (d. 1932), Chicago; on loan to the Art Institute from 1930; bequeathed to the Art Institute, 1933.

Recorded by Art Institute of Chicago.

• New York, Corona Mundi International Art Center (Roerich Museum), Exhibition of Old Masters, 1927, no. 11, as the Master of the Virgo inter Virgines.
• Art Institute of Chicago, A Century of Progress, 1933, no. 49, as the Master of the Virgo inter Virgines.
• Art Institute of Chicago, A Century of Progress, 1934, no. 124, as the Master of the Virgo inter Virgines.

• Max J. Friedländer, Die altniederländische Malerei,, vol. 5, Berlin, 1927, pp. 72–74, 140, no. 53, pl. 35; rev. English ed., Early Netherlandish Painting, Brussels and Leiden,1969, pp. 41–43, 80, no. 53, pl. 35.
• Frank Jewett Mather, Jr., “Roerich Museum to Sell Many Old Masters,” Art News 28, 20 (1930), pp. 4, 27 (ill.).
• Nicholas Roerich Museum, Roerich Museum: A Decade of Activity, 1921–1931, New York, 1931, p. 56.
• Daniel Catton Rich, “An Important Dutch Primitive,” Bulletin of the Art Institute of Chicago 25 (1931), pp. 34–36, (cover ill.).
• The Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection, 1932, p. 181, no. 376.30.
• Daniel Catton Rich, “Die Ausstellung ‘Fünf Jahrhunderte der Frühmalerei in Chicago,’” Pantheon 6 (1933), p. 376.
• F[riedrich] Winkler, “Meister der Virgo inter Virgines,” in Ulrich Thieme and Felix Becker, Allgemeines Lexikon der bildenden Künstler von der Antike bis zur Gegenwart, vol. 37, Leipzig, 1950, p. 346.
• J. Leeuwenberg, “Een werk van den Virgomeester en zijn copieën,” Oud Holland 65 (1950), p. 118.
• Hanns Swarzenski, “An Unknown Bosch,” Bulletin of the Museum of Fine Arts 53 (1955), p. 7.
• Erwin Panofsky, “Jean Hey’s ‘Ecce Homo’: Speculations about Its Author, Its Donor, and Its Iconography,” Bulletin des Musées Royaux des Beaux-Arts de Belgique 5
• (1956), p. 108.
• The Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection, 1961, p. 303.

Jan (1438/41–1516), First Count of Egmond; Magdalena, Countess of Egmond (1464–1538)

The Metropolitan Museum of Art

Christ Bearing the Cross

The Metropolitan Museum of Art

Standing Virgin and Child

The Metropolitan Museum of Art

Reliquary Bust of Saint Barbara

The Metropolitan Museum of Art

Saint Bavo

The Metropolitan Museum of Art

Roundel with Justice

The Metropolitan Museum of Art

Sorgheloos ("Carefree") in Poverty

The Metropolitan Museum of Art

Roundel with Vanitas

The Metropolitan Museum of Art

Museum holdings, not sale records. Auction results are only shown when a licensed price source is connected.