
Column-Krater (Mixing Bowl)
Ancient Greek · about 460 BCE
Provenance
Ownership history
- Said to be found in Nola [Old Register at the Art Institute of Chicago]. Augusto Mele, Naples, Italy, by 1889; sold to the Art Institute of Chicago through J.C. Fletcher as agent, 1889; price reimbursed by Charles Hutchinson and Philip D. Armour, 1889.
Recorded by Art Institute of Chicago.
Exhibitions
Exhibition history
- The Art Institute of Chicago, Greek Vase Painting in Midwestern Collections, Number 98, December 22, 1980-February 24, 1980.
- The Art Institute of Chicago, Myth and Legend in Classical Art, Gallery 101A, March 1, 1987-August 31, 1987.
- The Art Institute of Chicago, The Human Figure in Greek and Roman Art: From the Permanent Collection, Part 2, Gallery 120A, January 13, 1989-September 24, 1989.
- The Art Institute of Chicago, The First Year of the Classical Collection, Gallery 101A, October 3, 1989-January 2, 1991.
- The Art Institute of Chicago, Ancient Art Galleries, Gallery 155, April 20, 1994-February 6, 2012.
- The Art Institute of Chicago, Of Gods and Glamour: The Mary and Michael Jaharis Galleries of Greek, Roman, and Byzantine Art, Gallery 151, November 11, 2012-present.
Literature
Published references
- William M.R. French, Notes [on a] journey to Europe with Mr. and Mrs. C.L. Hutchinson starting from New York Sat'y Mch. 9, 1889- , (unpublished manuscript, Art Institute of Chicago Archives), p. 23.
- Art Institute of Chicago, Preliminary Catalogue of Metal Work, Graeco-Italian Vases, and Antiquities, December 9, 1889 (Chicago: Early and Halla Printing Company, 1889), pp. 36-7, no. 301.
- Ernest Gardner, "Vase in Chicago Representing the Madness of Athamas," American Journal of Archaeology, 2nd series, vol. III (1899), pp. 331-344, Plate 4.
- C. Robert, “Zur Oidipussage”, Apophoreton. Versammlung deutscher Philologen und Schülmänner 47 (1903), pp. 105-6.
- J.D. Beazley, Attic Red-Figure Vase Painters (Oxford: Clarendon Press, 1963), p. 585, no. 29.
- n.a. "Salmoneo," Enciclopedia dell'arte antica classica VI (1965), pp. 1076, fig. 1185.
- M. Robertson, “Monocrepis,” Greek, Roman, and Byzantine Studies (GRBS) vol. 13 (1972), p. 44.
- Martin Robertson, A History of Greek Art (London; New York: Cambridge University Press, 1976), pp. 246 and 659 n. 154, pl. 85b.
- K. Schefold, Die Göttersage in der klassischen und hellenistischen Kunst (Munich 1981), p. 158 fig. 211.
- K.W. Arafat, Classical Zeus: A Study in Art and Literature (Oxford: Clarendon Press, 1990), pp. 200, 205, plate 38 (ill.).
- Martin Robertson, The Art of Vase-Painting in Classical Athens (London; New York: Cambridge University Press, 1992), pp. 149, 150 (ill.).
- Hans Christoph Ackermann, Lexicon iconographicum mythologiae classicae (LIMC) vol. 7 (Artemis-Verlag, 1994), sv Salmoneus, pp. 654-5 no. 6 (E. Simon).
Comparables
Related holdings by the same hand

Marble statue of Eirene (the personification of peace)
The Metropolitan Museum of Art

Terracotta volute-krater (bowl for mixing wine and water)
The Metropolitan Museum of Art

Wood roundel with a bust of Dionysos
The Metropolitan Museum of Art

Glass oinochoe
The Metropolitan Museum of Art

Wrestler's Weight with Hercules and the Nemean Lion; Wrestling Scene (reverse)
The Metropolitan Museum of Art

Marble grave relief with a funerary banquet and departing warriors
The Metropolitan Museum of Art

Marble statue of a panther
The Metropolitan Museum of Art

Marble statue of a lion
The Metropolitan Museum of Art
Museum holdings, not sale records. Auction results are only shown when a licensed price source is connected.
Research assistant