
Art Institute of ChicagoPublic domain
Corpus of Christ
Spanish · 13th century
Provenance
Ownership history
- Church of Santa Maria dels Turers, Banyoles. Paul Tachard, Barcelona, c. 1919 [according to Bastardes i Parera 1981]. [R. Stora, Paris]; Kate S. Buckingham.
Recorded by Art Institute of Chicago.
Literature
Published references
- Art Institute of Chicago, Annual Report (1926) p. 64.
- Art Institute of Chicago, A Brief Illustrated Guide to the Collecdtions, Chicago, 1935, p. 13, ill.
- Art Institute of Chicago, A Brief Guide to the Collections, Chicago, 1941, p. 18, ill.
- H. S[cholle], "An Early Wooden Crucifix from Spain," in The Art Institute of Chicago Bulletin, 20 (1926), pp. 46-47, ill.
- Meyric R. Rogers and Oswald Goetz, Handbook to the Lucy Maud Buckingham Medieval Collection, (Chicago, 1945), p. 61, no. 4, pl. 4-5.
- Karl-August Wirth, "Die Entstehung des Drei-Nagel-Crucifixus, seine typengeschichtliche Entwicklung bis zur Mitte des 13. Jahrhunderts in Frankreich und Deutschland," Ph.D. diss., Johann Wolfgang Goethe Universität, Frankfurt (1953), p. 49-50.
- Paul Thoby, Le Crucifix des origines au Concile de Trent: Etude iconographique (Nantes, 1959), p. 153, pl. 120, nos. 258-59.
- G. Cames, "Recherches sur les origines du crucifix à trois clous," Cahiers archéologiques, 16 (1966), p.186, fig. 6.
- Rafael Bastardes, Les talles romaniques del Sant Crist a Catalunya (Barcelona, 1978), pp. 375-79, pl. 377.
- Rafael Bastardes i Parera, "El crucifix de Banyoles," Quaderns d'estudis medievals, 1 (1981), pp. 237-44.
- Rafael Bastardes i Parera, "El crucifix de Banyoles," Quaderns d'estudis medievals, 10 (1982), p. 644.
- J[anice] Mann in Gothic Sculpture in America, vol. 2: The Museums of the Midwest, Dorothy Gillerman, ed.(Turnhout, 2001), pp. 45-46, no. 34, ill., p. 173, under no. 130.
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