Cup in the Form of a Horse and Rider

• Frankfurt, Die Frankfurter Leihgabenaustellung, 1893.
• Berlin, Kaiser Friedrich-Museums-Vereins, Austellung von Werken alter Kunst, January 27 – March 4, 1906.
• Amsterdam, Rijksmuseum, De Triomf van het Maniërisme: De Europese Stijl van Michelangelo tot El Greco, July 1 – October 16, 1955.
• New York City, The Metropolitan Museum of Art, Making Marvels: Art, Technology, and Entertainment at the Courts of Europe, November 18, 2019–March 1, 2020.

• F. Luther, “Die Frankfurter Leihgabenastellung,” Kunstgewerbeblatt (Leipzig, 1893): p. 214.
• Kaiser Friedrich-Museums-Verein, Austellung von Werken alter Kunst, (Berlin: 1906), p. 61, cat. No. 266
• Otto von Falke, The Art Collection Eugene Gutmann (Berlin: Meisenbach Riffarth & Co., 1912), p. 42, cat. no. 135, pl. 35 (ill.).
• Rijksmuseum, De Trimof van het Maniërisme: De Europese Stijl van Michelangelo tot El Greco onder de Auspiciën van de Raad van Europa (Amsterdam: Rijksmuseum, 1955), p. 198, cat. No. 428.
• Hans R. Weihrauch, “Italienischen Bronzen als Vorbilder deutscher Goldsmiedekunst,” in Theodor Muller (ed)., Studien zur Geschichte der Europäischen Plastik (Munich: Hirmer, 1965): pp. 272-73, fig. 13 (ill.).
• Marc Rosenberg, Der Goldschmiede Merkzeichen, vol. 3 (Frankfurt: Frankfurter Verlags-Anstalt, 1980), p. 350, no. 4780.
• Armin Panter, Hohenlohe: Das Kirchberger Kunstkabinett im 17. Jahrhundert (Germany: Hallisch-Frankisches Museums Schwabisch Hall, 1999), p. 98 (ill.).
• Christies, Important Silver including Three Magnificent Renaissance Silver-Gilt Works of Art from the Collection of Fritz and Eugene Gutmann (London, 11 June 2003), pp. 148-49, 162-67, lot 163 (ill.).
• Elspeth Moncrieff, “Gutmann Silver,” The Art Newspaper, no. 138 (July-August 2003): p. 39.
• Ghenete Zelleke, “Cup in the Form of a Rearing Horse and Rider,” Art Institute of Chicago Museum Studies 29, 2 (2003), pp. 56-57 (ills.).
• The Art Institute of Chicago, The Essential Guide, 4th Edition, (Chicago: The Art Institute of Chicago, 2015), p. 128 (ill.).
• Simon Goodman, The Orpheus Clock: The Search for My Family’s Art Treasures Stolen by the Nazis (New York: Scribner, 2015), p. 118.

The Golden Wall

Art Institute of Chicago

Max Herrmann-Neisse

Art Institute of Chicago

Virgin and Child

Art Institute of Chicago

The Emperor Maximilian Presented to Christ by His Patron Saints

Art Institute of Chicago

The Fountain at Grottaferrata

Art Institute of Chicago

Blue Rhythm

Art Institute of Chicago

Apollo and Marsyas

Art Institute of Chicago

Eight Boys

Art Institute of Chicago

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