
Art Institute of ChicagoPublic domain
Daedalus and Icarus
Giulio Romano · n.d.
Provenance
Ownership history
- Jonathan Richardson, Sr. (died 1745) [his stamp (Lugt 2184) recto, lower right, in black]. Probably Carlo Bianconi (died 1802). Thomas Dimsdale (died 1823) [his stamp (Lugt 2426) verso, lower left, on mount, in black]; Sir Thomas Lawrence (died 1830) [his dry stamp (Lugt 2445) recto, lower left]; Lord Francis Egerton, 1st Earl of Ellesmere (died 1857) [his stamp (Lugt Suppl. 2710b) recto, lower center, in black]; by descent; sold, Sotheby’s, London, December 5, 1972, lot 61, to Robert M. Light, Boston, for Dorothy Braude Edinburg; given to Art Institute, 1998.
Recorded by Art Institute of Chicago.
Exhibitions
Exhibition history
- Leicester Museum, "Old Master Drawings," 1952, cat. 55.
- Leicester Museum, "The Ellesmere Collection of Old Master Drawings," 1954, cat. 97, pl. 23, cat. by Peter A. Tomory.
- Los Angeles County Museum of Art, "Old Master Drawings from American Collections," 1976, p. 90, cat. 106a, cat. by Ebria Feinblatt.
- The Art Institute of Chicago, "Gifts of a Lifetime," 1998–99, checklist 2.
- The Art Institute of Chicago, "Drawings in Dialogue: Old Master Through Modern, The Harry B. and Bessie K. Braude Memorial Collection," June 3–July 30, 2006, pp. 26-27, cat. 3 (ill.).
- The Art Institute of Chicago, "Strokes of Genius: Italian Drawings from the Goldman Collection," November 1, 2014-February 1, 2015.
Literature
Published references
- Catalogue of the Ellesmere Collection of Drawings at Bridgewater House (London, 1898), no. 117.
- Frederick Hartt, Giulio Romano (New Haven, Conn., 1958), pp. 278, 305, cat. 297.
- Licia Ragghianti Collobi, Il libro de’ disegni del Vasari 1 (Vallecchi, 1974), p. 129, fig. 401.
- Catherine Monbeig Goguel, “À Propos de Vasari historien et collectionneur: Giulio Romano et Giorgio Vasari; Le Dessin de La Chute d‘Icare,” Revue du Louvre et des Musées de France 29:4 (1979), pp. 273–76, fig. 3.
- Renato Berzaghi, “La camera dei Cavalli,” in Giulio Romano (Electa, 1989), p. 426.
- Stefania Massari, Giulio Romano pinxit et delineavit (Fratelli Palombi, 1993), p. 322, fig. 134.
- Aidan Weston-Lewis, “Orazio Gentileschi’s Two Versions of ‘The Finding of Moses Reassessed,’” in Orazio Gentileschi at the Court of Charles I,
- ed. Gabriele Finaldi (London, 1999), p. 45. n. 27.
- Janet Cox-Rearick, Giulio Romano Master Designer, exh. cat. (New York, 1999), pp. 22–25, fig. 7.
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