Daniel-Henry Kahnweiler

1. Daniel-Henry Kahnweiler (1884–1979), Paris, acquired directly from the artist; sold, Hôtel Drouot, Paris, June 13–14, 1921, 1st Kahnweiler sequestration sale, lot. 84, as Portrait, to Isaac Grünewald (1889–1946), Paris, to at least 1925 [letter from Daniel-Henry Kahnweiler, Sept. 30, 1975, in curatorial object file; Der Querschnitt 1925]. Earl Horter (1880-1940), Philadelphia, by c. 1929–1930 [Philadelphia 1999]; sold to Mrs. Charles Goodspeed (née Elizabeth Fuller, later Mrs. Gilbert W. Chapman; 1893–1980), Chicago, 1934 [letter from Mrs. Gilbert W. Chapman, Oct. 27, 1975, in curatorial object file]; given to the Art Institute of Chicago, Dec. 14, 1948.

Recorded by Art Institute of Chicago.

• Philadelphia, Pennsylvania Museum of Art, The Earl Horter Collection, Feb. 17–Mar. 13, 1934, no cat.; traveled to Chicago, Arts Club, Apr. 3–26, 1934, cat. 53.
• Chicago, Arts Club, Loan Exhibition of Modern Paintings and Drawings from Private Collections in Chicago, Nov. 4–25, 1938, cat. 101.
• New York, Museum of Modern Art, Picasso: Forty Years of His Art, Nov. 15, 1939–Jan. 17, 1940, cat. 96 (ill.); Chicago, Art Institute, Feb. 1–Mar. 3, 1940; and Boston, Museum of Fine Arts, Apr. 26–May 25, 1940.
• New York, Museum of Modern Art, 20th Century Portraits, Dec. 9, 1942–Jan. 24, 1943, p. 141; Baltimore Museum of Art, Feb. 12–Mar. 7, 1943; Worcester Art Museum, Mar. 24–Apr. 18, 1943.
• Chicago, Art Institute, Gallery of Art Interpretation: Presenting the Art Institute's Picassos, Sept.–Dec. 1955, no cat.
• New York, Sidney Janis Gallery, Cubism 1910–1912, Jan. 3–Feb. 4, 1956, cat. 28 (ill.).
• New York, Museum of Modern Art, Picasso: 75th Anniversary Exhibition, May 22–Sept. 8, 1957, p. 39 (ill.); traveled to Chicago, Art Institute, Oct. 29–Dec. 8, 1957.
• Philadelphia Museum of Art, Picasso, Jan. 8–Feb. 23, 1958, cat. 54 (ill.).
• New York, Saidenberg Gallery, Picasso: An American Tribute—Cubism, Apr. 25–May 12, 1962, cat. 2 (ill.).
• Paris, Petit Palais, Hommage a Pablo Picasso, Nov. 1966–Feb. 1967, cat. 71 (ill.).
• Chicago, Art Institute, Picasso in Chicago, February 3–Mar. 31, 1968, cat. 16 (ill.).
• Los Angeles County Museum of Art, The Cubist Epoch, Dec. 15, 1970–Feb. 21, 1971, cat. 234; New York, Metropolitan Museum of Art, Apr. 7–June 7, 1971.

• Marius de Zayas, “Pablo Picasso,” América: Revista mensual illustrada (May 1911), p. 365 (ill.).
• Gertrude Stein, “Pablo Picasso,” Camera Work (August 1912), n.p. (ill.).
• Marius de Zayas and Paul B. Haviland, A Study of the Modern Evolution of Plastic Expression (New York: Gallery 291, 1913) (ill.).
• Guillaume Apollinaire, Les peintres Cubistes (1913).
• Albert C. Barnes, “Cubism: Requiescat in Pace,” Arts and Decoration 6:3 (January 1916), p. 123 (ill.).
• Annuaire des Ventes III (October 1920–July 1921), p. 127.
• L’Amour de l’Art 2 (1921), p. 228.
• Kunstchronik und Kunstmarkt vol. 32, pt. 2, no. 44 (July 29, 1921), p. 814.
• Maurice Raynal, Picasso (Munich, Delphin-Verg, 1921; reprinted, Paris: Crès, 1922), p. 38 (ill.).
• Der Querschnitt 9 (1925), p. 784 (ill.).
• E. Tériade, “Nos Enquêtes: Entretien avec Henry Kahnweiler,” Supplément á la Revue Cahiers d’Art 2 (1927), p. 1 (ill.).
• Henri Mahaut, Picasso (Paris: Les Éditions G. Crés, 1930), pl. 17.

The Old Guitarist

Art Institute of Chicago

The Red Armchair

Art Institute of Chicago

Mother and Child

Art Institute of Chicago

Portrait of Pablo Picasso

Art Institute of Chicago

Man with a Pipe

Art Institute of Chicago

Head of a Woman (Fernande)

Art Institute of Chicago

Nude under a Pine Tree

Art Institute of Chicago

Weeping Woman I

Art Institute of Chicago

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