Deposition

1. Private collection, Milan. Galeria Carlo Virgilio, Rome; purchased by the Art Institute, 2013.

Recorded by Art Institute of Chicago.

• New York, Sperone Westwater, A Picture Gallery in the Italian Tradition of the Quadreria (1750–1850), January 10–February 23, 2013, no. 17.
• London, The National Gallery, Monochrome: Painting in Black and White, Oct. 30, 2017-Feb. 18, 2018, cat. 38 (ill.); Düsseldorf, Museum Kunstpalast, Black & White: Von Dürer bis Elíasson, Mar. 25- July 15, 2018.
• Washington, DC, Canova: Sketching in Clay, June 11–Oct. 9, 2023, not in cat.; Art Institue of Chicago, Nov. 19, 2023 - Mar. 18, 2024 [Chicago only].

• Gian Lorenzo Mellini, “Epilogo per Bernardino Nocchi,” Scritti in onore di Alessandro Marabottini, ed. Gioacchino Barbera (Rome, 1997), p. 323, fig. 5.
• Gian Lorenzo Mellini, Canova: saggi di filologia e di ermeneutica (Milan, 1999), pp. 16, 239, ill.
• Lelia Packer and Jennifer Sliwka. Monochrome: Painting in Black and White, exh. cat. (London: National Gallery Company Limited/ Yale University Press, 2017), p. 129, 130, cat. 38, 131.

The Descent from the Cross

Art Institute of Chicago

The Flight into Egypt

Art Institute of Chicago

Two Standing Prisoners in a Niche

Art Institute of Chicago

God the Father

Art Institute of Chicago

Flagellation of Saint Catherine

Art Institute of Chicago

Five Putti with Books

Art Institute of Chicago

Lot and His Daughters

Art Institute of Chicago

Rest on the Flight into Egypt

Art Institute of Chicago

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