Design for Frontispiece to the Seven Virtues

1. J.Pz. Zoomer (1641–1724) [stamp (Lugt 1511), recto, lower right, in brown].  John Jacob Lindman (1854–1926) [stamp (Lugt 1479A), recto, lower right, in black]. William F. E. Gurley (1870–1938) [stamp (Lugt 5308), recto, lower right, in black]; given to the Art Institute of Chicago for the Leonora Hall Gurley Memorial Collection, 1922 [stamp (Lugt 1230B), verso, lower center, in black].

Recorded by Art Institute of Chicago.

• Art Institute of Chicago, Drawings Rediscovered: Italian Drawings in the Art Institute of Chicago, Apr. 12–June 22, 1997, no cat.
• The Art Institute of Chicago, "Rubens, Rembrandt, and Drawing in the Golden Age", September 28, 2019 - January 5, 2020, pp. 178, 181 (ill.), 317, cat. 63, cat. by Victoria Sancho Lobis, et. al.

• Suzanne Folds McCullagh and Laura M. Giles, Italian Drawings before 1600 in The Art Institute of Chicago:  A Catalogue of the Collection (Chicago, 1997), pp. 230–231, no. 297 (ill).
• The New Hollstein Dutch and Flemish Etchings, Engravings and Woodcuts 1450–1700, Johannes Stradanus, 3 vols, Compiled by Marjolein Leesberg, ed. Huigen Leeflang (Ouderkerk aan den Ijssel: Sound & Vision Publishers, 2008, in cooperation with the Rijksprentenkabinet, Rijksmuseum Amsterdam) vol. II, no. 263, p. 230.

Men Hunting Ibexes with Hounds

Art Institute of Chicago

The Capture of a Swarm of Bees in a Farmyard

Art Institute of Chicago

Saint James the Great

Art Institute of Chicago

Mill by the Stream

Art Institute of Chicago

Venationes Ferarum, Avium, Piscium (Hunts and Animal Scenes)

Art Institute of Chicago

The Astrolabe - Amerigo Vespucci, from Nova Reperta

Art Institute of Chicago

The Judgement of Paris

Art Institute of Chicago

Way to Calvary

Art Institute of Chicago

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