Douarnenez in Sunshine
Maxime Maufra · 1897
Provenance
Ownership history
- The artist; purchased by Joseph Durand-Ruel, Paris, December 1897 [according to a letter from Caroline Durand-Ruel Godfroy, Durand-Ruel, to Gloria Groom dated October 23, 1992, in curatorial file; Durand-Ruel stock book no. 4471]; sold to Durand-Ruel, New York, June 12, 1901 [according to the letter cited above; Durand-Ruel stock book no. 2612]; given to the Art Institute, December 13, 1905.
Recorded by Art Institute of Chicago.
Exhibitions
Exhibition history
- Art Institute of Chicago, A Century of Progress: Exhibition of Paintings and Sculpture, June 1–November 1, 1934, cat. 286.
Literature
Published references
- Art Institute of Chicago, Twenty-Seventh Annual Report: June 1, 1905–June 1, 1906 (Chicago: Art Institute of Chicago, 1906), p. 54.
- Art Institute of Chicago, General Catalogue of Sculpture, Paintings and Other Objects (Chicago: Art Institute of Chicago, 1907), p. 219, no. 416.
- Art Institute of Chicago, General Catalogue of Sculpture, Paintings and Other Objects (Chicago: Art Institute of Chicago, 1910), p. 196, no. 416.
- Art Institute of Chicago, General Catalogue of Paintings, Sculpture and Other Objects in the Museum (Chicago: Art Institute of Chicago, 1913), p. 138, no. 416.
- Art Institute of Chicago, General Catalogue of Paintings, Sculpture and Other Objects in the Museum (Chicago: Art Institute of Chicago, 1914), p. 144, no. 416.
- Art Institute of Chicago, Catalogue of Paintings, Drawings, Sculpture and Architecture (Chicago: Art Institute of Chicago, 1917), p. 141, no. 342.
- Art Institute of Chicago, Handbook of Sculpture, Architecture, Paintings, and Drawings (Chicago: Art Institute of Chicago, 1920), p. 36, no. 342.
- Art Institute of Chicago, Handbook of Sculpture, Architecture and Paintings (Chicago: Art Institute of Chicago, 1922), p. 37, no. 342.
- Art Institute of Chicago, Handbook of Sculpture, Architecture, and Paintings (Chicago: Art Institute of Chicago, 1923), p. 37, no. 342.
- Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection (Chicago: Art Institute of Chicago, 1925), p. 145, no. 342.
- Arsène Alexandre, Maxime Maufra: peintre marin et rustique (1861–1918) (Paris: Éditions des Galeries Georges Petit, 1926), p. 201.
- Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection (Chicago: Art Institute of Chicago, 1932), p. 162.
Comparables
Related holdings by the same hand
The Road from Gaud (La Route de Gaud), from "L'Estampe Originale"
The Metropolitan Museum of Art
The La Plataine Bridge at Royan
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Ibsamboul, Colosse Médial (Enfoui) du Spéos de Phrè Nubie, Palestine et Syrie, plate 106 from the album "Egypte, Nubie, Palestine et Syrie" (1852)
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Mosquée près de Bab-el-Saïda, Le Kaire, plate 2 from the album "Egypte, Nubie, Palestine et Syrie," (1852)
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Landscape
Art Institute of Chicago
Le Sphynx vu de Face, Egypte Moyenne, plate 11 from the album "Egypte, Nubie, Palestine et Syrie" (1852)
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Le Pont des Arts
Art Institute of Chicago
Temple de Kardassy, Nubie, plate 87 from the album "Egypte, Nubie, Palestine et Syrie" (1852)
Art Institute of Chicago
Museum holdings, not sale records. Auction results are only shown when a licensed price source is connected.
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