Double academy of two male nudes

1. Gilbert Paignon-Dijonval (1708–1792), Paris [verso inscription; inv. no. 3422]; by descent to his grandson, Charles-Gilbert, Vicomte Morel de Vinde (1759–1842), Paris [no mark; see Lugt 2520]. Albert Léon Victor Finot (1853–1941), Troyes [his stamp (Lugt 3627), lower right, in black]; by descent to his son, André (1884–1980); sold, Paris, Hôtel Drouot, Dec. 6, 1982, lot 160, to Galerie Cailleux, Paris; sold by Colnaghi, New York (in association with Galerie Cailleux), to a private collector, New York, 1983 [according to an email from Mark Brady dated Apr. 19, 2022]; sold through W. M. Brady & Co., New York, to the Art Institute of Chicago, 2023.

Recorded by Art Institute of Chicago.

• New York, Colnaghi, with Galerie Cailleux, 18th Century French Drawings, Apr. 20–May 26, 1983, pp. 32–33, cat. 11 (ill.).
• The Art Institute of Chicago, "Lines of Connection: Drawing and Printmaking 1400-1850", March 15 - June 1, 2025, p. 81, 83, 211, fig. 65 (ill.), cat. by Jamie Gabbarelli, Edina Adam, et. al.

• M. Bénard, Cabinet de M. Paignon Dijonval (Paris: Huzard, 1810), p. 145, no. 3422.
• M.-C. Sahut, Carle Vanloo, premier peintre du roi, (Nice, 1705–Paris, 1765) (Nice, 1977), p. 179, cat. no. 605 (ill.).

The Crucifixion; The Last Judgment

The Metropolitan Museum of Art

The Flaying of Marsyas

The Metropolitan Museum of Art

Saint Roch

The Metropolitan Museum of Art

Christ and the Woman of Samaria

The Metropolitan Museum of Art

The Adoration of the Magi

The Metropolitan Museum of Art

L'Arlésienne: Madame Joseph-Michel Ginoux (Marie Julien, 1848–1911)

The Metropolitan Museum of Art

Aristotle with a Bust of Homer

The Metropolitan Museum of Art

Herman Doomer (ca. 1595–1650)

The Metropolitan Museum of Art

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