Entombment

1. Lamponi, Florence, by 1902; sold, Jules Sambon, Florence, Nov. 10 and following days, 1902, no. 2335, as Lucas van Leyden. 3 Possibly Rodolphe Kann (died 1905), Paris [according to New York 1927]; Comte Demandolx-Dedons, Marseilles, probably by 1916; collection of M. le Comte de D., Paris, Mar.–Nov. 1916, as Rogier van der Weyden [Sterling 1990, citing Seymour de Ricci; Demandolx-Dedons was probably the M. le Comte de D. mentioned in the dossier for the Pietà of Saint-Germain, in the Service de Documentation, Musée du Louvre, Paris]; Achillito Chiesa, Milan; sold, New York, American Art Association, Apr. 16, 1926, no. 32, as School of Avignon, to the Art Institute of Chicago.

Recorded by Art Institute of Chicago.

• New York, Kleinberger, Loan Exhibition of French Primitives and Objects of Art, 1927, no. 9.
• Detroit Institute of Arts, Seventh Loan Exhibition: French Gothic Art of the Thirteenth to Fifteenth Cen-tury, 1928, no. 6.
• Art Institute of Chicago, A Century of Progress, June 1- Nov. 1, 1933, no. 33.
• Art Institute of Chicago, A Century of Progress, June 1-Nov. 1, 1934, no. 21.

• Salomon Reinach, Répertoire de peintures du moyen âge et de la renaissance (1280–1580), vol. 2, Paris, 1907, p. 454, no. 1.
• Art Institute of Chicago Annual Report, 1926, p. 52.
• R.M.F., “A Painting of the School of Avignon,” Bulletin of the Art Institute of Chicago 20 (1926), pp. 73, 75–76.
• Lloyd Goodrich, “New York Exhibitions,” Arts 9 (1926), p. 284.
• Frank Jewett Mather, Jr., “An Exhibition of French Primitives,” Arts 12 (1927), p. 245.
• Walter Heil, “Kunstwerke der französischen Gotik: Leiausstel-lung im Museum zu Detroit,” Pantheon 3 (1929), p. 78 (ill.).
• Albert C. Barnes and Violette de Mazia, The French Primitives and Their Forms, Merion, Pa., 1931, pp. 505, 509 (ill.).
• Art Institute of Chicago 1932, pp. 37, 166.
• “Robert B. Harshe as a Connoisseur,” Bulletin of the Art Institute of Chicago 32 (1938), p. 52.
• Charles Sterling, La Peinture française: Les Primitifs, Paris, 1938, p. 134 n. 131.
• Louis Gillet, Les Primitifs français, Marseilles, 1941, pl. 13.
• Charles Sterling [Charles Jacques, pseud.], La Pein-ture française: Les Peintres du moyen âge, Paris, 1941, p. 64, no. 52.

Adoration of the Magi

The Metropolitan Museum of Art

Portrait medal of Laux Kreler

The Metropolitan Museum of Art

Chinese Pavilion

The Metropolitan Museum of Art

Agony in the Garden

The Metropolitan Museum of Art

Christ Blessing, Surrounded by a Donor Family

The Metropolitan Museum of Art

Storing up Manna

The Metropolitan Museum of Art

Gathering Manna

The Metropolitan Museum of Art

May Picture

The Metropolitan Museum of Art

Museum holdings, not sale records. Auction results are only shown when a licensed price source is connected.