Entrance to New York

1. Alfred Stieglitz (1864–1946), New York; Stieglitz Estate (Georgia O'Keefe (1887–1986), executor); given to the Art Institute, 1949.

Recorded by Art Institute of Chicago.

• New York, Little Gallery of the Photo-Secession, "Picabia," March 17-April 5, 1913.
• New York, Museum of Modern Art, Alfred Stieglitz: His Collection, June 10–August. 31, 1947.
• New York, Solomon R. Guggenheim Museum, "Francis Picabia," 1970, p. 71, cat. 26.
• The Art Institute of Chicago, February 21-October 31, 1992.
• Paris, Musée d'Orsay, "New York et l'art moderne: Alfred Stieglitz et son cercle, 1905-1930," October 18, 2004-January 16, 2005, p. 185, cat. 106 (ill.).
• New York, The Museum of Modern Art, "Picabia: Our Heads Are Round So Our Thoughts Can Change Direction", November 20, 2016 - March 19, 2017, pp. 47, 57, pl. 17, cat. by Anne Umland, et. al.

• H. Hapgood, "A Paris Painter," Globe and Commercial Advertiser (February 20, 1913), p. 8.
• "A Post-Cubist's Impressions of New York," New York Tribune (March 9, 1913), part II, p. 1.
• Francis Picabia, "How New York Looks to Me," New York American (March 30, 1913), magazine section, p. 11.
• Camera Work 42-43 (April-July 1913), pp. 48-51.
• Thomas Bender and Carl E. Schorske (editors), Budapest and New York: Studies in Metropolitan Transformation, 1870-1930 (New York, 1994), p. 299, fig. 11.19.
• Sandy Brooke, Hooked on Drawing (Englewood Cliffs, NJ, 1996), p. 166 (ill.).
• Linda Dalrymple Henderson, The Fourth Dimension and Non-Euclidean Geometry in Modern Art (Cambridge, 2001).

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