Equestrian Portrait of the Emperor Maximilian I

• The Art Institute of Chicago, “Altered and Adorned: Using Renaissance Prints in Daily Life,” April 30–July 10, 2011, pp. 20–24 and 99–100, fig. 12 (ill.).

• A. Hyatt Mayor, Prints and People: A Social History of Printed Pictures (Princeton, NJ: Princeton University Press, 1971), fig. 294.
• John Maxon, The Art Institute of Chicago (New York: H. N. Abrams, Inc., 1970; London: Thames and Hudson, Ltd., 1977 and 1987 ), p. 129 (ill.).
• Martha Tedeschi, “Lovers Surprised by Death,” Art Institute of Chicago Museum Studies: Notable Acquisitions, vol. 30, no. 1, (2004), pp. 72–73 and 96 (ill.).
• James Snyder, revised by Larry Silver and Henry Luttikhuizen, Northern Renaissance Art: Painting, Sculpture, the Graphic Arts from 1350 to 1575 (Upper Saddle River, NJ: Prentice Hall, 2005), pp. 335, 371, fig. 15.3 (ill.).

Lovers Surprised by Death

Art Institute of Chicago

Triumph of Maximilian

Art Institute of Chicago

The Virgin and Child

Art Institute of Chicago

Triumph of Maximilian

Art Institute of Chicago

Halberdiers, from the Triumphal Procession of Maximilian

Art Institute of Chicago

Triumph of Maximilian

Art Institute of Chicago

Triumph of Maximilian

Art Institute of Chicago

Savages

Art Institute of Chicago

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