Final Study for "Bathers at Asnières"

1. The artist; given to Robert Caze (died 1886), Paris [this and the following according to Dorra and Rewald 1959, 100; see also Seurat's list of owners of his works where Caze is named as the owner of "Esquisse de la baignade," reprinted in New York 1991, 380]; by descent to his widow, Louise Caze (died 1887), Paris. Gary. W.H. Sprenger, Paris and Essen [according to email from Claudine Godts, Wildenstein, Oct. 28, 2021; copy in curatorial object file]; Wildenstein and Co., New York, by 1948; sold to David M. Levy (died 1977) and Adele R. Levy (died 1960), New York, 1949; given to the Art Institute of Chicago, 1962.

Recorded by Art Institute of Chicago.

• New York, Durand-Ruel Galleries, What they said" - Postscript to Art Criticism; For the Benefit of the Museum of Modern Art on its 20th Anniversary, November 28 - December 17, 1949, cat. 6.
• Pittsburgh, Carnegie Institute, French Painting 1100-1900, October 18-December 2, 1951, cat. 92.
• New York, Wildenstein & Co., A Loan Exhibition of Seurat and His Friends, November 18-December 26, 1953, cat. 4 (ill.)
• Art Institute of Chicago, Seurat: Paintings and Drawings, January 16-March 7, 1958, cat. 57; New York, Museum of Modern Art, March 24-May 11, 1958.
• New York, Guggenheim Museum, Neo-Impressionism, February 7 - April 8, 1968, no cat. no.
• Paris, Galeries Nationales du Grand Palais, Georges Seurat 1859-1891, April 9–August 12, 1991; New York, Metropolitan Museum of Art, September 24, 1991 - January 12, 1992, cat. 110.
• London, The National Gallery, Seurat and the Bathers, July 2-September 28, 1997, cat. 60.
• Art Institute of Chicago, Seurat and the Making of ‘La Grande Jatte,’ June 16-September 19, 2004, cat. 20.
• Paris, France, Musée d'Orsay, Le Néo-Impressionnisme de Seurat á Paul Klee, March 14- July 10, 2005.
• New York, The Museum of Modern Art, George Seurat: The Drawings, October 9, 2007- January 7, 2008, pl. 103.
• Fort Worth, Tex., Kimbell Museum of Art, The Impressionists: Master Paintings from the Art Institute of Chicago, June 29–November 2, 2008, cat. 50 (ill.).
• Zurich, Kunsthaus, Georges Seurat: Figures in Space, October 2, 2009-January 17, 2020; Frankfurt, Schirn Kunsthalle, February 11-May 9, 2010.

• Henri Dorra and John Rewald, Seurat: Seurat: l’oeuvre peint biographie et catalogue critique (Paris: Les Beaux-arts, 1959), 100 no. 97 (ill.).
• Ceasar M. de Hauke, Seurat et Son Oeuvre (Paris: Grund, 1961), 58-59 no. 93.
• Art Institute of Chicago Annual Report 1962-1963 (Chicago: Art Institute, 1963), 13.
• W. Homer, Seurat and the Science of Painting, 1963.
• Art Institute of Chicago Quarterly, vol. 57, no. 4 (1963-64), 4 (ill.), 5.
• J. Rewald, Post Impressionism from Van Gogh to Gauguin, 3rd ed., revised (New York, 1978), 74 (ill.).
• Richard R. Brettell, French Impressions (New York: Art Institute and Harry Abrams1987), 87.
• Richard Tilston, Seurat (London: Bison Books, 1991), 70-71.
• Sarah Carr-Gomm, Seurat (London: Studio Editions, 1993), 16 (ill.), 142, no. 16.
• Paul Smith, Seurat and the Avant-Garde (New Haven and London: Yale University Press, 1997), 75, 76 fig. 90.
• Impressionism and Post-Impressionism in the Art Institute of Chicago (Chicago: Art Institute, 2000), 77 (ill.).
• Sylvie Patry, Le Néo-Imoressionnisme de Seurat á Paul Klee, Exh. cat. (Réunion des Musées Nationaux, 2005), 16, 78, 108, 109 (ill.).

The Mower

The Metropolitan Museum of Art

Study for "A Sunday on La Grande Jatte"

The Metropolitan Museum of Art

Study for "Poseuses"

The Metropolitan Museum of Art

Study for "A Sunday on La Grande Jatte"

The Metropolitan Museum of Art

The Gardener

The Metropolitan Museum of Art

View of the Seine

The Metropolitan Museum of Art

Landscape at Saint-Ouen

The Metropolitan Museum of Art

The Lighthouse at Honfleur

The Metropolitan Museum of Art

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