Glass, Siphon and Checkerboard

1. The artist to Madame Marcillac, Paris, 1917 [inscription]. Given by Mr. and Mrs. Leigh B. Block, Chicago, to the AIC, 1954.

Recorded by Art Institute of Chicago.

• New York, Wildenstein and Company, "Master Drawings from The Art Institute of Chicago," October 17–November 30, 1963, n.p., cat. 161, pl. LI, as "Still Life with a Siphon."
• New York, Saidenberg Gallery, "Juan Gris," May 9–June 24, 1967, n.p., cat. 24 (ill.), as Nature morte au siphon.
• The Los Angeles County Museum of Art, "The Cubist Epoch," 1970, pp. 225 and 290, cat. 275, fig. 136; traveled to New York, the Metropolitan Museum of Art.
• Paris, Orangerie des Tuileries, "Juan Gris," March 14–July 1, 1974, p. 122, cat. 138 (ill.), as Nature morte au siphon.
• Baden-Baden, Germany, Kunsthalle Baden-Baden, "Juan Gris," July 20–September 29, 1974, n.p., cat. Z29 (ill.), as Stilleben mit Siphon.
• Frankfurt am Main, Germany, Städtische Galerie im Städelschen Kunstinstitut, "Französische Zeichnungen aus dem Art Institute of Chicago," February 10–April 10, 1977, pp. 174–175, cat. 84 (ill.), as Stilleben mit Syphon.
• Bielefeld, Germany, Kunsthalle Bielefeld, "Zeichnungen und Collagen des Kubismus Picasso, Braque, Gris," March 11–April 29, 1979, n.p., cat. 233 (ill.), as Stilleben mit Siphon.
• Madrid, Salas Pablo Ruiz Picasso, "Juan Gris," September 20–November 24, 1985, p. 349, cat. 146 (ill.).
• London, Whitechapel Art Gallery, "Juan Gris," p. 179, cat. 20 (ill.), as Still-life with Siphon; traveled to Stuttgart, Germany, the Staatsgalerie Stuttgart, December 18, 1992–February 14, 1993; and Otterlo, the Kroller-Muller Museum, March 5–May 1, 1993.
• The Art Institute of Chicago, "Modern and Contemporary Works on Paper," March 24-September 13, 2009, no cat.

• The Art Institute of Chicago Annual Report, (1954–1955), p. 13 (ill.), as Still Life with Siphon.
• Erhard Gopel, “Hausse auf dem Weltmarkt der Zeichnung,” Süddeutsche Zeitung 24 (January 28, 1965) (ill.).
• Christopher Green, “Synthesis and the ‘Synthetic Process’ in the Painting of Juan Gris 1915–19,” Art History 5:1 (March 1982), pp. 93–95 and 104, fig. 22, as Nature-morte au siphon.

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