Grapes

1. Paul Guillaume, Paris [letter from Robert Stoppenbach, Dec. 8, 1975, copy in curatorial file]. Frederick Clay Bartlett, Chicago, by Aug. 1923 [shipping receipt, copy in curatorial file]; given to the Art Institute of Chicago, 1926

Recorded by Art Institute of Chicago.

• Art Institute of Chicago, Group of Modern Paintings from the Birch-Bartlett Collection, September 8–October 22, 1923.
• Minneapolis Institute of Arts, Exhibition of Modern French Paintings from the Birch-Bartlett Collection, April 1925, n. p., cat. 23, as Still Life Grapes.
• Boston Art Club, Birch-Bartlett Collection of Modern French Paintings, December 9–26, 1925, n.p., cat. 2, as Les raisins.
• Art Institute of Chicago, A Century of Progress: Exhibition of Paintings and Sculpture, June 1–November 1, 1933, p. 78, cat. 684.
• Art Institute of Chicago, A Century of Progress: Exhibition of Paintings and Sculpture, June 1–November 1, 1934, p. 52, cat. 342.

• Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection (Art Institute of Chicago, 1925), p. 167, cat. 2225, as Grapes (Still Life).
• Minneapolis Institute of Arts, Exhibition of Modern French Paintings from the Birch-Bartlett Collection exh. cat. (Minneapolis Institute of Arts, 1925), n. p., cat. 23, as Still Life Grapes.
• Art Institute of Chicago, Modern Paintings in the Helen Birch Bartlett Memorial from the Birch-Bartlett Collection, (Art Institute of Chicago, 1926), pp. 32, 33 (ill.), 57.
• Watson, Forbes, “A Note on the Birch-Bartlett Collection,” The Arts 9 (June 1926), p. 303 (ill.), as Still Life.
• Zabel, Morton Dauwen, “An American Gallery of Modern Painting,” Art and Archaeology 26, no. 6 (December 1928), p. 233, as Les Raisins.
• Sherwood, Walter J., “The Famous Birch Bartlett collection,” The Chicago Visitor (October, 1932), p. 40.
• Art Institute of Chicago, A Century of Progress: Exhibition of Paintings and Sculpture Lent from American Collections exh. cat. (Art Institute, 1933), p. 78, cat. 684.
• Art Institute of Chicago, A Century of Progress: Exhibition of Paintings and Sculpture exh. cat. (Art Institute, 1934), p. 52, cat. 342.
• Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection (Art Institute, 1961), p. 125.
• Speyer, A. James and Courtney Graham Donnell, Twentieth Century European Paintings (University of Chicago Press, 1980), p. 39, cat. 1E9.
• Art Institute of Chicago,“ The Helen Birch Bartlett Memorial Collection,” Museum Studies 12, 2 (1986), pp. 222, 232 (ill.), no. 3.
• Kellermann, Michael, André Derain: Catalogue Raisonné de l’oeuvre peint (Paris: Éditions Galerie Schmit, 1996), p. 86 (ill.), cat. 709, as Assiette de fruits et pichet, about 1924.

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