
Art Institute of ChicagoPublic domain
Guardian Spirit of the Waters
Odilon Redon · 1878
Provenance
Ownership history
- Sold by the artist to Amboise Vollard (1867- 1939), Paris, December 1899 [according to Chicago 1994]. Henri Petiet (1894-1980) Paris, by March 1940 [according to Wildenstein 1992]; sold to the Art Institute, 1950.
Recorded by Art Institute of Chicago.
Exhibitions
Exhibition history
- The Art Institute of Chicago, "Exhibition of 19 charcoals owned by Jean Goriany [or Henri Petiet] made for Flaubert's The Temptation of Saint Anthony," August, 1941.
- New York, The Museum of Modern Art, "Modern Drawings," 1944, p. 32, cat. by Monroe Wheeler.
- New York, The Museum of Modern Art, "Redon, Drawing, and Lithographs," 1952, cat. 5.
- Paris, Orangerie des Tuileries, "Odilon Redon," October 1956-January 1957, cat. 22 as "Genie sur les eaux."
- The Hague, Gemeentemuseum,"Odilon Redon," May 3- June 23, 1957, cat. 8.
- New York, The Museum of Modern Art, "Odilon Redon, Gustave Moreau, Rodolphe Bresdin," December 4, 1961-February 4, 1962, cat. 88; traveled to The Art Institute of Chicago, March 2-April 15, 1962.
- New York, Wildenstein and Company, "Master Drawings from The Art Institute of Chicago," October 17-November 30, 1963, cat. 111.
- St Louis, Mo., Washington University Gallery of Art, "Nineteenth and Twentieth Century Artists and Draughtsmen," March 13–April 8, 1966, no cat.
- The Art Institute of Chicago, "Odilon Redon: Prince of Dreams," June 9-September 18, 1994, cat. 50, cat. by Douglas Druick et al; traveled to Amsterdam, Van Gogh Museum, October 20, 1994-January 15, 1995, and London, Royal Academy of Arts, February 16-May 21, 1995.
- Paris, Musée du Louvre, "La peinture comme crime ou la part maudite de la réalité," October 19, 2001-January 14, 2002.
- Gifu, Japan, The Museum of Fine Arts, "Odilon Redon --Le souci de l'absolu (Search for the Absolute)," October 8-December 8, 2002, cat. 33; traveled to Shimane, Japan, Shimane Art Museum, August 2, 2002 -September 23, 2002.
- The Art Institute of Chicago, "Strange Realities: The Symbolist Imagination", October 4, 2025 - January 5, 2026.
Literature
Published references
- Hugh Edwards, "Redon, Flaubert, Vollard," Bulletin of The Art Institute of Chicago, 36:1 (1942), p. 4 (ill.).
- William Lieberman, "Redon, Drawings, and Lithographs," The Museum of Modern Art Bulletin, XIX:2 (Winter, 1952), p. 6 (ill.).
- Paul Sachs, Modern Prints and Drawings (New York, 1954), p. 54, pl. 47.
- Sven Sandström, Le Monde imaginarie d'Olidon Redon (Lund, 1955), pp. 171 and 226, fig 134.
- Roseline Bacou, Odilon Redon (Geneva, 1956), p. 70, note 2.
- Klaus Berger, Odilon Redon, Fantasy and Colour, trans. by Michael Bullock (New York, 1965 ), p. 225, no. 584 and 594, fig. 45.
- Jean Selz, Odilon Redon, translated by Eileen Hennessy, (Naefels, 1978), p. 14 (ill.).
- Richard Hobbs, Odilon Redon (London, 1977), p. 26 fig. 17.
- Harold Joachim and Sandra Haller Olsen, French Drawings and Sketchbooks of the Nineteenth Century (Chicago, 1979) p. 79, 4D8.
- Richard R. Brettell, French Impressionists (Chicago, 1987), pp. 94-95 and 119 (ill.).
- Jean Vialla, Odilon Redon (Paris, 1988), p. 78 (ill.).
- Klaus Berger, "Odilon Redon," Encyclopaedia Universalis (1989), p. 646.
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Melancholy
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Strange Flower (Little Sister of the Poor)
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