
Art Institute of Chicago
Guitarist and Spanish Dancer
Gino Severini · n.d.
Provenance
Ownership history
- The artist to Alfred Stieglitz, New York, 1916 [Lukach 1969]; sold to John Quinn (died 1924), 1917 [Lukach 1969]; Estate of John Quinn, from 1924-c. 1926. Given by Robert Allerton, Chicago, to the Art Institute, 1926.
Recorded by Art Institute of Chicago.
Exhibitions
Exhibition history
- New York, Gallery of the Photo Secession (Gallery 291), "Severini," March 6–17, 1917, cat. 5.
- New York, Art Center, "Memorial Exhibition of Representative Works Selected from the John Quinn Collection," January 7–30, 1926, p. 10, cat. 47.
- Iowa City, State University of Iowa, "Thirteenth Annual Fine Arts Festival: Six Centuries of Master Drawings," Summer 1951, n.p., cat. 218.
- New Haven, Conn., Yale University Art Gallery, "Severini futurista: 1912–1917," October 18, 1995–January 7, 1996, pp. 111 and 114 (ill.), cat. 30; traveled to Fort Worth, Tex., Kimbell Art Museum, February 11–April 7, 1996.
Literature
Published references
- R. M. F., “Notes on Some Modern Drawings (Continued),” Bulletin of the Art Institute of Chicago XXI:4 (April 1927), p. 52 (ill.).
- Joan M. Lukach, “Severini’s 1917 Exhibition at Stieglitz’s ‘291’,” Burlington Magazine CXIII (April 1971), pp. 197, 202, 204, and 206, figs. 34, 41.
- Daniela Fonti, Gino Severini: Catalogo ragionato (Milan, 1988), p. 206 (ill.), cat. 252.
Comparables
Related holdings by the same hand
Dancer = Propeller = Sea
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Train in the City
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The Society Violinist
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Two Italian Lancers at a Gallop
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Still Life: Bottle + Vase + Journal + Table
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Harlequin Family
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Gino Severini, calling card
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Museum holdings, not sale records. Auction results are only shown when a licensed price source is connected.
Research assistant