Hang Up

• New York, Solomon R. Guggenheim Museum, Eva Hesse: A Memorial Exhibition, Dec. 8, 1972–Feb. 11, 1973, cat. 8; Buffalo, NY, Albright–Knox Gallery Mar. 6–Apr. 22, 1973; Chicago, Museum of Contemporary Art, May 19–July 8, 1973; Pasadena, CA, Pasadena Art Museum Sept. 18–Nov. 11, 1973; Berkeley, CA: University Art Museum, University of California, Berkeley, until Feb. 3, 1974.
• Vancouver, Vancouver Art Gallery, Nancy Graves, Eva Hesse, Michelle Stuart, Jackie Winsor, Oct. 9–Nov. 6, 1977, no cat. no.
• London, Whitechapel Art Gallery, Eva Hesse: Sculpture, May 4–June 17, 1979, cat. 7; Otterlo, NL, Rijksmuseum Kröller–Müller, June 30–Aug. 5, 1979; Hannover, Kestner–Gesellschaft, Aug. 17–Sept. 23, 1979.
• Museum of Contemporary Art, Los Angeles, WACK!: Art and the Feminist Revolution, Mar. 4–July 16, 2007, no cat. no.; Washington D.C., National Museum of Women in the Arts, Sept. 21–Dec. 16, 2007; Long Island City, NY, P.S. 1 Contemporary Art Center, Feb.17–May 12, 2008, Vancouver Art Gallery, Oct. 4, 2008–Jan. 11, 2009.

• Robert Pincus–Witten and Linda Shearer, Eva Hesse: A Memorial Exhibition, exh. cat. (New York: Solomon R. Guggenheim Museum, 1972), n.p., cat. 8 (color ill.).
• Lucy R. Lippard, Strata: Nancy Graves, Eva Hesse, Michelle Stuart, Jackie Winsor, exh. cat. (Vancouver: Vancouver Art Gallery, 1977), 10, 13 (color ill.), 15, 29.
• Nicholas Serota, Eva Hesse: Sculpture, exh. cat. (London: Whitechapel Art Gallery, 1979), cat. 7 (ill.).
• Olle Granath and Margareta Helleberg, Flykpunkter/Vanishing Points, exh. cat. (Stockholm: Moderna Museet, 1984), 126 (ill.), 127.
• Richard Armstrong and Richard Marshall, Entre la geometría y el gesto: escultura norteamericana, 1965-1975, exh. cat. (Madrid: Ministerio de Cultura, Direccion General de Bellas Artes y Archivos, Centro Nacional de Exposiciones, 1986), 30, pl. 66.1 (ill.).
• Larry Silver, Art in History (New York: Abbeville Press, 1993), 450, fig. 10.25 (ill.).
• Frances K. Pohl, Framing America: A Social History of American Art (New York: Thames & Hudson, 2002), 462 (ill.).
• Mignon Nixon and Cindy Nemser, Eva Hesse (Cambridge, MA: MIT Press, 2002), xii (ill.), 7-8, 29, 36, 49-50, 57, 58-61, 67, 69, 153, 167, 171, 173-175, 206.
• Robert C. Morgan, “Getting Things Straight: Jackie Winsor Moves Ahead,” Sculpture 25, no. 5 (June 2006): 27.
• Cornelia Butler, and others, Lisa Gabrielle Mark, ed., WACK!: Art and the Feminist Revolution, exh. cat. (Los Angeles: Museum of Contemporary Art, Los Angeles; Cambridge, MA: MIT Press, 2007), 54 (color ill.), 245, 503.
• Lucy R. Lippard, Veronica Roberts, and Kirsten Swenson, Converging Lines: Eva Hesse and Sol LeWitt, exh. cat. (New Haven: Blanton Museum of Art in association with Yale University Press, 2014), 60 (color ill.).

Sequel

Art Institute of Chicago

Untitled

Art Institute of Chicago

Untitled

Art Institute of Chicago

Untitled

Art Institute of Chicago

Untitled

Art Institute of Chicago

Girl with Cherries

Art Institute of Chicago

The Milliner

Art Institute of Chicago

Coffeepot Museum Dinner Service

Art Institute of Chicago

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