Headrest (Musawu) by Yaka
Art Institute of Chicago

Headrest (Musawu)

Yaka · Late 19th to early 20th century

Provenance

Ownership history

  1. Raoul Blondiau, Brussels, Belgium, by 1925 [acquired between 1900 to 1925 according to Blondiau-Theatre Arts Collection, exh. cat. 1927]; sold to Theatre Arts, Inc. (Theatre Arts Monthly), New York, N.Y., Nov. 1926 [according to Blondiau-Theatre Arts Collection, exh. cat. 1927; Deacon 1981]; sold to the Art Institute, 1928.

Recorded by Art Institute of Chicago.

Exhibitions

Exhibition history

  • New York, The New Art Circle, Bondiau-Theatre Arts Collection of Primitive African, Feb. 7-March 5, 1927, cat. no. 180 (illustrated).
  • Children’s Museum at the Art Institute of Chicago, The Negro in Art Week: Primitive and Modern, lent by Harlem Museum of African Art [Blondiau Collection of African Art], Nov. 16-Dec. 1, 1927, cat. 22 (not illustrated); traveled to Rochester, N.Y., the Memorial Art Gallery.
  • Iowa, Junior Art Museum of Des Moines, Baga to Batabwo: Safari in Art, Oct. 19–Dec. 9, 1958.
  • New York, N.Y., The American Federation of Arts, African Furniture and Household Objects, April 1980–Sep. 1981, cat. p. 120
  • Art Institute of Chicago, Africa: Heads of State, Seats of Power, Sep. 2–Nov. 17, 1995, no cat.
  • Knoxville, Tenn., Frank H. McClung Museum, The World Moves, We Follow: Celebrating African Art, Jan. 10–May 18, 2003, cat. plate 38.

Literature

Published references

  • Alain Locke. 1927. Blondiau-Theatre Arts Collection of Primitive African Art (introduction), exh. cat (New York: The New Art Circle/Theater Arts Monthly), cat. no. 180 (ill.).
  • Harlem Museum of African Art, The Negro in Art Week: Nov. 16 -23, exh. cat (Art Institute of Chicago, 1927), no. 22 (listed in checklist, not illustrated).
  • Helen F. MacKenzie. “A Group of Primitive Carvings in Wood and Horn,” in Bulletin of the Art Institute of Chicago 24, 1 (Jan. 1930.) p. 8-9 (object mentioned, not illustrated).
  • Roy Seiber, African Furniture and Household Objects, exh. cat. (American Federation of Arts, 1980), p. 120 (ill.).
  • Arthur P. Bourgeois, Art of the Yaka and Suku (Meudon, France: Edition Alain & Françoise Chaffin, 1984), p. 71, fig. 49.
  • Kathleen Bickford, "Foreword," The Art Institute of Chicago Museum Studies 23: 2 (1997), p. 101, fig. 1.
  • Kathleen Bickford Berzock, "African Art at the Art Institute of Chicago," African Arts 32:4 (Winter 1999), p. 24, fig.7.
  • William J. Dewey, The World Moves, We Follow: Celebrating African Art, exh. cat. (Frank H. McClung Museum, University of Tennessee, 2003), p. 39, pl. 38.
  • William J. Dewey, The World Moves, We Follow: Celebrating African Art, exh. cat. (Knoxville, Tenn.: Frank H. McClung Museum, University of Tennessee, 2003), p. 39, pl. 38.
  • Constantine Petridis et al., Speaking of Objects: African Art at the Art Institute of Chicago (Chicago: Art Institute of Chicago, 2020), cat. no. 57, pp. 144-145 (ill.).

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