Holy Family with Angel

1. Unknown collector [paraphe (not in Lugt), verso, center, in pen and brown ink]. Mr. Provis; sold, Chipperhorn, May 1856 [according to inscription verso, center on mount, in pen and brown ink]. Dr. William Ogle, London; sold, Sotheby, Feb. 6, 1913, to William F. E. Gurley (1854–1943), Chicago [stamp (Lugt 5308), recto, lower right, in black]; given to the Art Institute of Chicago for the Leonora Hall Gurley Memorial Collection, 1922 [stamp (Lugt 1230b), verso, center on mount, in black].

Recorded by Art Institute of Chicago.

• Alessandro Ballarin, "Tre disegni: Palma il Vecchio, Lotto, Romanino (e alcune osservaazioni sul ruolo del Romanino al Buonconsiglio)," Arte Veneta 24 (1970), pp. 47-62.
• Harold Joachim and Suzanne Folds McCullagh, Italian Drawings of the 15th, 16th, and 17th Centuries (Chicago, 1979), p. 87, no. 3C2 (as Anonymous, Sixteenth Century, Northern Italy).
• Jane Martineau and Charles Hope, The Genius of Venice 1500-1600, exhibition cat., Royal Academy of Arts (London, 1983).
• Suzanne Folds McCullagh and Laura M. Giles, Italian Drawings before 1600 in The Art Institute of Chicago: A Catalogue of the Collection (Chicago, 1997), p. 167, no. 215 (ill.).

Two Sketches of Male Nudes, One Kneeling, One Standing (recto); Three Sketches: Seated Male Nude, Reclining Male Nude, Male Head in Profile (v erso)

Art Institute of Chicago

The Miraculous Pool at Bethesda

Art Institute of Chicago

Last Judgement

Art Institute of Chicago

Portrait of a Gentleman

Art Institute of Chicago

Adoration of the Shepherds

Art Institute of Chicago

Christ Healing the Paralytic or Christ and the Adulteress

Art Institute of Chicago

Seated Saint John the Baptist

Art Institute of Chicago

Four Evangelists

Art Institute of Chicago

Museum holdings, not sale records. Auction results are only shown when a licensed price source is connected.