Horn by Kuba
Art Institute of ChicagoPublic domain

Horn

Kuba · Late 19th-early 20th century

Provenance

Ownership history

  1. Raoul Blondiau, Brussels, Belgium, by 1925 [acquired between 1900 to 1925 according to Blondiau-Theatre Arts Collection, exh. cat., 1927]; sold to Theatre Arts, Inc. (Theatre Arts Monthly), New York, N.Y., Nov. 1926 [according to Blondiau-Theatre Arts Collection, exh. cat.1927; Deacon 1981]; sold to the Art Institute, 1928.

Recorded by Art Institute of Chicago.

Exhibitions

Exhibition history

  • New York, The New Art Circle, Bondiau-Theatre Arts Collection of Primitive African, Feb. 7-March 5, 1927, cat. no. 156 (not illustrated).
  • Children’s Museum at the Art Institute of Chicago, The Negro in Art Week: Primitive and Modern, lent by Harlem Museum of African Art [Blondiau Collection of African Art], Nov. 16-Dec. 1, 1927, cat. 3 (ill.); traveled to Rochester, N.Y., the Memorial Art Gallery.
  • Iowa, Junior Art Museum of Des Moines, Baga to Batabwo: Safari in Art, Oct. 19–Dec. 9, 1958.
  • West Lafayette, Ind., Purdue University Department of Creative Arts, African Art, April 6-28, 1970.

Literature

Published references

  • Alain Locke. Blondiau-Theatre Arts Collection of Primitive African Art (introduction), exh. cat. (New York: The New Art Circle/Theater Arts Monthly, 1927), cat. no. 156.
  • Alain Locke. "A Collection of Congo Art" in The Arts 11, 2 (1927), pp. 61-70 (ill.).
  • Harlem Museum of African Art, The Negro in Art Week: Nov. 16 -23, exh. cat. (Art Institute of Chicago, 1927), cat. 3 (ill.).
  • Helen F. MacKenzie. “A Group of Primitive Carvings in Wood and Horn,” in Bulletin of the Art Institute of Chicago 24, 1 (Jan. 1930.) p. 8-9, 6 (object mentioned, illustrated p. 16).
  • Richard F. Townsend and Kathleen Bickford Berzock, “The Art Institute of Chicago New Galleries for African Art and Indian Art of the Americas,” in Tribal Arts XVI:1, 62 (Winter 2011), p. 60, fig. 3.
  • Kathleen Bickford Berzock, “Changing Place, Changing Face: A History of African Art at the Art Institute of Chicago,” in Representing Africa in American Art Museums: A Century of Collecting and Display, ed. Katheleen Bickford Berzock and Christa Clarke (University of Washington Press, 2010), pp. 150-167 (ill. fig 7.3).
  • Constantine Petridis et al., Speaking of Objects: African Art at the Art Institute of Chicago (Chicago: Art Institute of Chicago, 2020), cat. no. 58, pp. 144-145 (ill.).

Comparables

Related holdings by the same hand

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