Horsemen of the Apocalypse

1. Gino Bassi, Varese, by 1948 [this and the following according to letter from Centro Italiano d’Arte Annunciata, Oct. 15, 1975, in curatorial file]; sold through Centro Italiano d’Arte Annunciata, Milan to Luigi Silvera, Varese, 1948; sold through Centro Italiano d’Arte Annunciata, Milan and Sotheby’s, London, May 4, 1960, lot. 43 to Richard L. Feigen, Chicago and New York [letter from Sotheby’s, June 6, 1975, in curatorial file]; sold to Mr. and Mrs. Harold X. Weinstein, Chicago, c. 1960 [letter from Richard Feigen, Apr. 12, 2001, in curatorial file]; given to the Art Institute of Chicago, 1964.

Recorded by Art Institute of Chicago.

• Milan, Famiglia Artistica Milanese, Concorso Crudo & Lattuada, 1908, no. cat.
• New Orleans, Isaac Delgado Museum of Art, The World of Art in 1910, November 15–December 31, 1960, n.p.
• New York, Museum of Modern Art, Futurism, May 31–September 5, 1961, p. 20 (ill.), cat. 61; traveled to Detroit Institute of Arts, October 18–December 19, 1961; Los Angeles County Museum, January 14–February 19, 1962.
• Chicago, Arts Club, The Horse as Motif, 1200 B.C.-1966 A.D., January 15– February 22, 1975, pp. 40 (ill.), 41, cat. 61.
• Philadelphia, Museum of Art, Futurism and the International Avant-Garde, October 26, 1980–January 4, 1981, n.p., cat. 54 (ill.).
• Rome, Galleria Nazionale d’Artre Moderna e Contemporanea, Carlo Carra 1881–1966, November 25, 1994–February 26, 1995, p. 7.

• Carrà, Carlo di, La Mia Vita (Milan: Rizzoli Editore, 1943), p. 120.
• Mastrolonardo, Enotrio, “Pittura Italiana contemporanea,” Scena Illustrata (October 1959), pp. 12-13 (ill.), as I cavalieri dell’Apocalisse.
• Le Arti (January 1959), pp. 8-9.
• Sotheby’s London, Catalogue of Important Impressionist and Modern Drawings, Paintings and Sculpture, sale cat. (May 4, 1960), pp. 12, 13 (ill.), lot. 43, as I cavaliri dell’Apocalisse.
• Isaac Delgado Museum of Art, The World of Art in 1910 exh. cat. (New Orleans, 1960).
• Taylor, Joshua C., Futurism exh. cat. (New York: Museum of Modern Art, 1961), pp. 20 (ill.), 141, cat. 67.
• Ballo, Guido, La Linea dell’Arte Italiana (Rome, 1964), vol. 1, p. 58, as I cavalieri dell’Apocalisse, 1908.
• Art Institute of Chicago, Calendar of the Art Institute of Chicago 59: 4 (September 1965), n.p. (ill.).
• Carrà, Massimo, Carrà: Tutta l’Opera Pittorica, vol. 1 (Milan: Edizioni dell’Anunciata, 1967), pp. 141 (ill.), 580, cat. 2/08, as I Cavalieri Dell’Apocalisse, 1908
• Pierre, José, Le Futurisme et le Dadaisme (Lausanne, 1967), pp. 15, 157, as Les Cavaliers de l’Apocalypse, 1908.
• L’Opera completa di Carrà (Milan: Rizzoli, 1970), p. 87, cat. 9 (ill.), as I Cavalieri Dell’Apocalisse, 1908.
• Grung, Sandra, Supplement to Paintings in the Art Institute of Chicago: A Catalogue of the Picture Collection (Art Institute, 1971), p. 15.

Carlo Carra

Art Institute of Chicago

Head of Child

Art Institute of Chicago

The Crucifixion

Art Institute of Chicago

Cobra Chair

Art Institute of Chicago

Mourners in a Graveyard

Art Institute of Chicago

Prints from the Popol-Vuh

Art Institute of Chicago

Assumption of the Virgin

Art Institute of Chicago

Monte Carlo Sporting Club

Art Institute of Chicago

Museum holdings, not sale records. Auction results are only shown when a licensed price source is connected.