Italian Landscape with a Bridge

1. Antoine-Joseph Dezallier D’Argenville Paris (1680–1765) [inscription (Lugt 2951), recto, lower left, in pen and black ink].  E. Calando (died 1899), Paris [stamp (Lugt 837), recto, lower left, in black]; by descent; sold, Paris, Mar. 17–18, 1927, lot 25.  Louis Deglatigny (1854–1936), Rouen [stamp (Lugt 1768a), recto, lower left, in red]. Prof. Einar Perman (1893–1976), Stockholm; by descent to this son Dr. Einar Perman; sold through Robert Light and Co., Santa Barbara, Cal., to the Art Institute of Chicago, 1983.

Recorded by Art Institute of Chicago.

• Stockholm, Nationalmuseum, Dutch and Flemish Drawings in the Nationalmuseum and other Swedish Collections, 1953, p. 59, cat. no. 182.
• Laren, Singer Museum, Oude tekeningen uit de Nederlanden, verzameling Prof. E. Perman, Stockholm, 9 June–16 September 1962, p. 9, cat. no. 18.
• The Art Institute of Chicago, "Rubens, Rembrandt, and Drawing in the Golden Age", September 28, 2019 - January 5, 2020, pp. 246, 249 (ill.), 290, cat. 93, cat. by Victoria Sancho Lobis, et. al.

• Walther Bernt, Die Niederländischen Zeichner des 17. Jahrhunderts, 2 vols (Munich: F. Bruckmann, 1957), I: n.p., no 106 (ill.).

Italian Landscape with Travelers

Art Institute of Chicago

Landscape with Ruins and Two Cows at the Waterside, from a series of four horizontal Roman Landscapes

Art Institute of Chicago

The Large Tree, from Upright Italian Landscapes

Art Institute of Chicago

Upright Italian Landscapes: Woman on a Mule

Art Institute of Chicago

The Ox-Cart, from Upright Italian Landscapes

Art Institute of Chicago

The Two Mules, from a set of four Italian Landscapes

Art Institute of Chicago

Landscape with Ruin by Water

Art Institute of Chicago

Forest Clearing

Art Institute of Chicago

Museum holdings, not sale records. Auction results are only shown when a licensed price source is connected.