John Newton

1. Thomas John Henry Vincent Lane, King's Bromley Manor, Litchfield; sold Sotheby's, London, 8 December 1926, no. 118 as John Newton and his Wife Elizabeth by Cotes to De Casseres for £56 [annotated catalogue in Ryerson Library]. Leggatt Brothers, London, by 1927 at which time the sitter’s wife was excised and portions of the portrait overpainted [according at note by Ellis Waterhouse on the reverse of a photo in the Waterhouse archive, Paul Mellon Centre, London]; sold by Leggatt to Howard Young, 1927 [according to Waterhouse inscription cited above]. Anderson Galleries, New York [according to undated newspaper clipping]. Wally Findlay Galleries, Chicago [acc. to note from Arthur B. Logan dated 7 December 1989 in curatorial files]; sold to Arthur B. Logan, Chicago, 8 March 1955; given to the Art Institute, 1985.

Recorded by Art Institute of Chicago.

• Aileen Ribeiro, The Dress Worn at Masquerades in England, 1730 to 1790, and Its Relation to Fancy Dress in Portraiture, New York and London, 1984, pp. 138-9, 153, 155, 352-3, 356, and intro. to ch. 3, pl. 6.
• Susan Wise and Malcolm Warner, French and British Paintings from 1600 to 1800 in The Art Institute of Chicago: A Catalogue of the Collection, Chicago, 1996, pp. 248-51 (ill.).

John Van der Wall

Art Institute of Chicago

Distant View of Niagara Falls

Art Institute of Chicago

Starry Night and the Astronauts

Art Institute of Chicago

Plan of Chicago, Plate 63, Plan of a Proposed Park

Art Institute of Chicago

Plan of Chicago, Plate 62, Plan of a Proposed Park

Art Institute of Chicago

Plan of the Center of the City, the 1909 Plan of Chicago

Art Institute of Chicago

Spring Beckons You

Art Institute of Chicago

Plate 49 from Plan of Chicago 1909: Chicago. View of the City from Jackson Park to Grant Park, Looking Towards the West. The proposed shore treatment as a park enclosing a waterway (or a series of lagoons) is shown, together with the enlarged yacht harbor, recreation piers, and a scheme for Grant Park.

Art Institute of Chicago

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