Judith

1. Marie Catherine d’Onyn de Chastre (née Baronne de Herckenrode) (1731–1824); sold, Douarière d’Onyn de Chastre (née Baronne de Herckenrode), Leuven, Belgium, June 10, 1825, lot 129, to Désiré van den Schrieck (1785–1857), Leuven, Belgium. With Robert Lebel, Paris, by 1956; sold to the Art Institute of Chicago, 1956.

Recorded by Art Institute of Chicago.

• Kansas City, MO, Nelson-Atkins Museum of Art, Visiting Masterpiece: Jan Sanders van Hemessen, Judith, September 24, 2019-October 30, 2020.

• Robert Lebel, “Une ‘Judith’ de Jan van Hemessen,” Journal de l’amateur d’art 10, 101 (1956), p. 3 (ill.).
• Hans Huth, “A Mannerist Judith for the Art Institute,” AIC Quarterly 51, 1 (1957), pp. 2 (ill.), 3.
• S.V., “Nuovi acquisti all’Art Institute,” Emporium 63 (1957), pp. 185–86 (ill.).
• Helen Comstock, “A Flemish Mannerist Judith,” Connoisseur 140 (1957), p. 139 (ill.).
• Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection (Chicago, 1961), pp. 214–15.
• Giorgio T. Faggin, La pittura ad Anversa nel Cinquecento (Florence, 1968), pl. 111.
• Gert von der Osten and Horst Vey, Painting and Sculpture in Germany and the Netherlands, 1500 to 1600 (Harmondsworth, 1969), p. 198, pl. 183.
• John Maxon, The Art Institute of Chicago (London, 1970), pp. 255 (ill.), 287.
• Paul Wescher, “Jan van Hemessen und Jan van Amstel,” Jahrbuch der Berliner Museen, n.s., 12 (1970), pp. 42–43, fig. 6.
• Jan Bialostocki, “La gamba sinistra della Giuditta: Il quadro di Giorgione nella storia del tema,” in Giorgione e l’umanesimo veneziano, ed. Rodolfo Pallucchini (Florence, 1981), pp. 216–17; trans. and repr. in Jan Bialostocki, The Message of Images: Studies in the History of Art (Vienna, 1988), pp. 126, 261.
• Burr Wallen, Jan van Hemessen: An Antwerp Painter between Reform and Counter-Reform (Ann Arbor, Mich., 1983), pp. 2, 107–08, 309–10, no. 36, fig. 121.
• Peter C. Sutton, A Guide to Dutch Art in America (Washington, D.C., and Grand Rapids, Mich., 1986), p. 49, fig. 65.

Adoration of the Magi

Art Institute of Chicago

Landscape with Tournament and Hunters

Art Institute of Chicago

Fishing Boats off an Estuary

Art Institute of Chicago

Jan Lievens

Art Institute of Chicago

Four Servants, part of Telemachus Leading Theoclymenus to Penelope from The Story of Odysseus

Art Institute of Chicago

The Painter Otto Dix and His Wife, Martha

Art Institute of Chicago

Fishing Boats in a Calm

Art Institute of Chicago

Andromeda

Art Institute of Chicago

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