Judith with the Head of Holofernes

• The Minneapolis Institute of Art, Minnesota, “Prints 1400–1800: A Loan Exhibition from Museums and Private Collections,” also traveled to The Cleveland Museum of Art and The Art Institute of Chicago, November 1956–March 1957, plate 31, cat. 75 (ill.).
• Washington, D.C., National Gallery of Art, “Prints of the Italian Renaissance,” June 23–October 7, 1973; also traveled to San Francisco, California Palace of the Legion of Honor, November 10, 1973–January 13, 1974, cat. and handbook.
• The Art Institute of Chicago, "Altered and Adorned: Using Renaissance Prints in Daily Life," April 30-July 10, 2011, p. 55, fig. 45 (ill.).

• Jean Duchesne, Voyage d'un iconophile (Paris: Heideloff et Campé, 1834), p. 209.
• Henri Delaborde, La gravure en Italie avant Marc-Antoine (1452-1505) (Paris and London: Librairie de l'art, 1883), p. 60.
• Sidney Colvin, A Florentine Picture Chronicle by Maso Finiguerra (London: B. Quaritch, 1898), pp. 38-39 (ill. 74).
• Sotheby & Co. Catalogue of the Celebrated Collections of Old Master Engravings . . . 19th Century Watercolour Drawings . . . 18th Century Mezzotint Portraits / date of sale: November 7, 1945 (London: Sotheby & Co., 1945), lot no 129 (ill.).
• Carl O. Schniewind, “A Great Print Collection Comes to the Art Institute,” Bulletin of The Art Institute of Chicago, vol XLII, no 1 (Jan. 1948), p. 6 (ill.).
• Harold Joachim, et al. Prints 1400-1800: A Loan Exhibition from Museums and Private Collections (Minneapolis Institute of Arts, 1956), no. 75 (ill. 31).
• E.P. Richardson, “Bertoldo and Verracchio: Two Fifteenth Century Florentine Bronzes,” The Art Quarterly, vol. XXII, no. 3 (1959), p. 205, (ill. 8).
• A. Hyatt Mayor, Prints and People: A Social History of Printed Pictures (Princeton, NJ: Princeton University Press, 1971), fig. 89.
• Jay A. Levenson, Prints of the Italian Renaissance: A Handbook of the Exhibition, (National Gallery of Art, Washington D.C. 1973), no. 56.

The Prophet Amos

Art Institute of Chicago

The Inferno According to Dante, from the Campo Santo Frescos in Pisa

Art Institute of Chicago

Prophet Haggai

Art Institute of Chicago

The Prophet Moses

Art Institute of Chicago

The Holy Mountain, folio 3 from The Holy Mountain (Monte Sancto di Dio)

Art Institute of Chicago

Inferno According to Dante

Art Institute of Chicago

Two Studies of the Head of a Youth

Art Institute of Chicago

Academic Male Nude Representing Hercules with Nessus's Robe (recto and verso)

Art Institute of Chicago

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