L'Estaque

1. Galerie E. Druet, Paris, probably acquired directly from the artist, by Feb. 17, 1913 [New York 1913 and May 2, 1913 letter from Treasurer of the Association of American Painters and Sculptors to Eugène Druet, Walter Kuhn Papers, Archives of American Art, Series 1, Subseries 1.1.6, copy in curatorial object file]; sold to Arthur Jerome Eddy (1859-1920), Chicago, March 4, 1913 [Barnett 2022]; by descent to his wife Lucy O. Eddy (1863-1931) and son Jerome O. Eddy (1891-1951), Chicago, 1920; given to the Art Institute of Chicago, 1931.

Recorded by Art Institute of Chicago.

• Possibly Paris, Galerie E. Druet, Exposition de peintures de Émilie Charmy, January 29–February 11, 1911.
• Association of American Painters and Sculptors (organizer), International Exhibition of Modern Art; traveled to New York, Armory of the 69th Infantry, February 17–March 15, 1913, n.p. (cat. 170), as Paysage; Chicago, Art Institute, March 24–April 16, 1913, n.p. (cat. 64), as Landscape; and Boston, Copley Society Hall, April 28–May 19, 1913 [New York and Chicago only].
• Chicago, Art Institute, Exhibition of Paintings from the Collection of the Late Arthur Jerome Eddy, September 19–October 22, 1922, n.p., cat. 14, as L’Estaque.
• Chicago, The Arthur Jerome Eddy Collection of Modern Paintings and Sculpture, December 22, 1931–January 17, 1932, pp. 8, cat. 2, 10, as Landscape: L’Estaque, c. 1910.
• Chicago, Englewood High School, May–June 1948.
• Charlottesville, Fralin Museum of Art, University of Virginia, Émilie Charmy, Aug. 23, 2013–Feb. 2, 2014, no cat. no; Chicago, Arts Club of Chicago, Émilie Charmy, February 27–May 17, 2014, pp. 4, 5, cat. 9, as L'Estaque, c. 1910.

• Association of American Painters and Sculptors, International Exhibition of Modern Art, exh. cat. (New York: Association of American Painters and Sculptors, 1913), n.p., cat. 170, as Paysage.
• Association of American Painters and Sculptors, International Exhibition of Modern Art, exh. cat. (Chicago version, 1913), n.p., cat. 64, as Landscape.
• Eddy, Arthur Jerome, Cubists and Post-Impressionism (Chicago: A.C. McClurg & Co., 1914), pp. n.p., 200, opp. 200 (ill.), as Landscape.
• Art Institute, Exhibition of Paintings from the Collection of the Late Arthur Jerome Eddy, exh. cat. (Chicago: Art Institute, 1922), n.p., cat. 14, as L’Estaque.
• Art Institute, The Arthur Jerome Eddy Collection of Modern Paintings and Sculpture, exh. cat. (Chicago: Art Institute, 1931), pp. 8, cat. 2, 10, as Landscape: L’Estaque, c. 1910.
• Bulliet, C.J., “The Eddy Gift to Chicago,” Creative Art 10, 3 (March 1932), p. 216, as Landscape.
• Paintings in the Art Institute of Chicago (Chicago: Art Institute, 1961), p. 76, as L’Estaque, c. 1910.
• Association of American Painters and Sculptors, The Armory Show: International Exhibition of Modern Art, vol. 3, Contemporary and Retrospective Documents (New York: Arno Press, 1972), n.p. (ill.).
• Speyer, A. James and Courtney Graham Donnell, Twentieth-Century European Paintings (Chicago: University of Chicago Press, 1980), p. 36, no. 1D5, as L’Estaque, c. 1910.
• Brown, Milton, The Story of the Armory Show (New York: Abbeville Press, 1988), p. 255, no. 170, as Landscape, now called L’Estaque, c. 1910.
• Matthew Affron, Émilie Charmy, exh. cat. (Charlottesville: The Fralin Museum of Art, University of Virginia Art Museums, 2013), no cat. no., 22, 76 (color ill.).
• The Arts Club of Chicago, Émilie Charmy, exh. brochure (The Arts Club of Chicago, 2014), 4, 5, cat. 9 (not ill.), as L'Estaque, c. 1910.

Wall Hanging

Art Institute of Chicago

Portrait of Emily Crane Chadbourne

Art Institute of Chicago

Louise Émilie, Baroness of ***

Art Institute of Chicago

Emilie prichází ke mne ve snu (Emilie Comes To Me In A Dream)

Art Institute of Chicago

Youth and Dog Running towards the Gallows past the Condemned

Art Institute of Chicago

Emily, Countess of Kildare

Art Institute of Chicago

Portrait of a Man Wearing an Ivy Wreath

Art Institute of Chicago

Tight-Rope Walker

Art Institute of Chicago

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