Lamentation over the Body of Christ

1. Probably Cardinal Antonio Despuig y Dameto, archbishop of Valencia (d. 1813). Don Ramon Despuig, Count of Montenegro, Palma de Mallorca, by 1842 [Piferrer 1842, pp. 278, 332]; by descent to the counts of Montenegro, Palma de Mallorca, until at least 1886 [Justi 1886]. Countess René de Béarn, Paris, by 1903; sold, Hôtel Drouot, Paris, Mar. 5, 1903, lot 38 [for 12,800 fr, Benoit 1903, p. 105]. Walter Gay, Paris [according to Friedländer, vol. 6, 1928]. V. G. Fischer Art Co., New York and Washington, D.C., 1909–11 [Bodenhausen and Valentiner 1911, p. 184, Friedländer’s photograph of the Lamentation in the R.K.D., The Hague, is annotated Früher Washington (previously Washington) on the reverse]. Marczell de Nemes, Budapest, by 1912; sold, Galerie Manzi-Joyant, Paris, June 17–18, 1913, no. 17, to Kleinberger, Paris, as agent for Ryerson [for 84,000 fr, Kleinberger invoice, June 18, 1913, in Art Institute Archives]; Martin A. Ryerson (d. 1932), Chicago [on loan to the Art Institute from 1913]; bequeathed to the Art Institute, 1933.

Recorded by Art Institute of Chicago.

• Düsseldorf, Städtische Kunsthalle, Sammlung des königl. Rates Marczell von Nemes, Budapest, 1912, no. 22.
• New York, Kleinberger, Loan Exhibition of Flemish Primitives, 1929, no. 31.
• Art Institute of Chicago, A Century of Progress, 1933, no. 40.
• Art Institute of Chicago, A Century of Progress, 1934, no. 119.
• Art Institute of Chicago, Masterpieces of Religious Art, 1954, p. 24.
• Washington, D.C., National Gallery of Art, Saint Anne Altarpiece by Gerard David, January 26-May 10, 1992.
• Madrid, Museo Thyssen-Bornemisza, Gerard David y el paisaje flamenco, 2004, no. 6.
• The Art Institute of Chicago, New Light on Old Masters: Research on Northern European and Spanish Paintings before 1600 in the Art Institute, June 26— September 14, 2008, no cat.

• P. Piferrer, Recuerdos y bellezas de España: Mallorca, vol. 5, Barcelona, 1842, p. 332, no. 124.
• Joaquin María Bover, Noticia histórico-artística de los museos del eminentísimo señor cardenal Despuig existentes en Mallorca, Palma, 1845, p. 192, no. 197.
• Karl Justi, “Altflandrische Bilder in Spanien und Portugal,” Zeitschrift für bildende Kunst 21 (1886), pp. 137–38.
• La Chronique des arts et de la curiosité, no. 12 (1903), p. 100.
• Camille Benoit, “La Peinture néerlandaise primitive au Louvre et autour du Louvre,”
• La Chronique des arts et de la curiosité, no. 13 (1903), pp. 105–06.
• Eberhard, Freiherr von Bodenhausen, Gerard David und seine Schule, Munich, 1905, p. 168, under no. 31.
• Eberhard, Freiherr von Bodenhausen and Wilhelm R. Valentiner, “Zum Werk Gerard Davids,” Zeitschrift für bildende Kunst, n.s., 22 (1911), p. 184 (ill.).
• G. Howe, “Die Galerie Marczell v. Nemes in der Stadtischen Kunsthalle zu Düsseldorf,” Die Kunst 25 (1912), p. 553.
• Georg Biermann, “Die Sammlung Marczell von Nemes,” Der Cicerone 5 (1913), p. 370.
• La Chronique des arts et de la curiosité, no. 24 (1913), p. 370.
• Émile Dacier, “La Collection Marczell de Nemes,” La Revue de l’art ancien et moderne 33 (1913), p. 458.

Martin Vanden Bogaert Desjardins

Art Institute of Chicago

Hyacinthe Rigaud

Art Institute of Chicago

Crispin

Art Institute of Chicago

Pierre de Montarsis

Art Institute of Chicago

Interior of St. Mark's, Venice

Art Institute of Chicago

American Collectors (Fred and Marcia Weisman)

Art Institute of Chicago

Moïse

Art Institute of Chicago

Portrait of Thomas Bulwer

Art Institute of Chicago

Museum holdings, not sale records. Auction results are only shown when a licensed price source is connected.