
Art Institute of Chicago
Linear Construction No. 4
Naum Gabo · 1958-59
Provenance
Ownership history
- The artist; commissioned by Mrs. Suzette Morton Zurcher Davidson (1911–1996), Chicago, 1958 [Nash and Merkert 1985]; acquisition funds given to the Art Institute of Chicago, Dec. 15, 1958.
Recorded by Art Institute of Chicago.
Exhibitions
Exhibition history
- Art Institute of Chicago, 63rd American Exhibition, Dec. 2, 1959–Jan. 31, 1960, cat. 33.
Literature
Published references
- Frederick Sweet, 63rd American Exhibition Paintings Sculpture, exh. cat. (Art Institute of Chicago, 1959), 23, cat. 33.
- Frederick Sweet, “A Modern Construction,” The Art Institute of Chicago Quarterly 53/54 (Chicago: The Art Institute of Chicago, 1960), 13 (ill.).
- Naum Gabo, Leslie Martin and Herbert Read, Naum Gabo Constructions, sculpture, peinture, dessins, gravures (Neuchatel: Editions de Griffon, 1961), 200 (ill.).
- Naum Gabo, Of Divers Arts (New Jersey: Princeton University Press, 1962), n.p., frontispiece (color ill.).
- Leif Sjoberg, “Gabo und die konstruktive Idee,” Das Kunstwerk 17, no. 9, (Mar. 1964): 24 (ill.).
- Dona Meilach and Don Seiden, Direct Metal Sculpture: Creative Techniques and Appreciation (New York: Crown,1966), 13 (ill.).
- David Thompson, “Outlines for a Public Art” Studio International 171, no. 876 (1966): 139 (color ill.).
- Ludo Bekkers “Gesprek met Naum Gabo,” Streven, 20, 1 (Oct. 1966), 32, (ill.).
- Cleve Gray, “Naum Gabo Talks About Constructivism,” Art in America 54, (Nov-Dec 1966): 51, (ill.).
- Clifford Derek, Art and Understanding: Towards a Humanistic Aesthetic (London: Evelyn, Adams and Mackay, 1968), vii, (color ill.).
- K. Jurgen-Fischer, “Nachwirkungen des Jugendstils”, Das Kunstwerk 23, nos. 7–8 (Apr–May, 1970): 20, (ill.).
- Mervyn Levy, Drawing and Sculpture (Bath: Adams and Darth, 1970), ii (color ill.).
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