Lion Hunt

1. Possibly sold from the artist to Vaisse for 2,500 francs [this and the following information according to Johnson 1989]. Comte d’Aquila; his sale, February 21-22, 1868, lot 7, sold for 14,505 francs. Faure, Paris, 1885 [according to Robaut 1885; see also catalogue of 1892 sale citied below]. R. Austin Robertson, New York; his estate sale, New York, American Art Association, April 7, 1892, lot 147 (ill.); sold for 13,000 francs to Mr. and Mrs. Potter Palmer, Chicago; bequeathed to the Art Institute, 1922.

Recorded by Art Institute of Chicago.

• Paris, Ecole Nationale des Beaux-Arts, Eugene Delacroix, March 6-April 16, 1885, cat. 76.
• The Art Institute of Chicago, Paintings From the Collection of Mrs. Potter Palmer, August 1910, cat. 22.
• The Art Institute of Chicago, Delacroix, March 20-April 20, 1930, cat. 43.
• Paris, Musée du Louvre, Exposition Eugène Delacroix, June-September 1930, cat. 191.
• The Art Institute of Chicago, A Century of Progress, Exhibition of Painting and Sculpture, June 1–November 1, 1933, cat. 246.
• The Art Institute of Chicago, Century of Progress: Exhibition of Paintings and Sculpture, June 1-November 1, 1934, cat. 192.
• Springfield, Mass., Museum of Fine Arts, From David to Cézanne, February 9-March 10, 1935, cat. 16.
• Pittsburg, Carnegie Institute, A Survey of French Painting, April 2-May 14, 1936, cat. 17.
• Cambridge, Mass., Fogg Museum of Art, Harvard University, Gericault, Delacroix, Chasseriau, Painters of the Romantic Movement, April 30-June1, 1946, no cat. no.
• Buffalo, New York, Albright Art Gallery, Expressionism in American Painting, May 10–June 29, 1952, cat. 3 (ill.).
• Venice, XXVIII Biennale di Venezia, May–September 1956, cat. 42.
• Los Angeles, University of California –Los Angeles Art Council, French Masters From Rococo to Romanticism, March 5–April 16, 1961, no cat. no. (ill.).

• Alfred Robaut, L’Oeuvre Complet de Eugene Delacroix (Paris, 1885), no. 1350.
• Jean Maurice Tourneaux, Eugène Delacroix devant ses contemporains (Paris, 1886), p. 144.
• Reginald Wilenski, French Painting (Boston, 1931), pl. 85, pp. 209, 212.
• Journal de Eugene Delacroix, 1932, vol. 2, pp. 334, 317, 389, 402.
• The Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection (Chicago, 1932), p. 190.
• Hans Tietze, Meisterwerks Europäischer Malerei in Amerika (Vienna, 1935), no. 265 (ill.).
• Jean Cassou, Delacroix (Paris, 1947), no. 40.
• Lee Johnson, “Delacroix at the Biennale,” Burlington Magazine 98 (September 1956), pp. 324–330, (ill) 329.
• Giuseppe Marchiori, Delacroix alla Biennale (Venice, 1956), p. 37.
• Karchiori, Delacroix alla Biennale, 1956, pp. 36, (ill.) 37.
• The Art Institute of Chicago, A Brief Guide to the Collections (Chicago, 1956), pp. 32-33.
• The Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection (Chicago, 1961), pp. 123, (ill.) p. 244.

The Abduction of Rebecca

The Metropolitan Museum of Art

Basket of Flowers

The Metropolitan Museum of Art

Saada, the Wife of Abraham Ben-Chimol, and Préciada, One of Their Daughters

The Metropolitan Museum of Art

Ferdinand Victor Eugène Delacroix (1798–1863)

The Metropolitan Museum of Art

The Natchez

The Metropolitan Museum of Art

Sunset

The Metropolitan Museum of Art

Ecorché: Torso of a Male Cadaver

The Metropolitan Museum of Art

A Jewish Bride in Tangier

The Metropolitan Museum of Art

Museum holdings, not sale records. Auction results are only shown when a licensed price source is connected.