Lock

1. The artist, Everett, MA; to Richard T. Crane, c. 1920; given to the Art Institute of Chicago, 1926.

Recorded by Art Institute of Chicago.

• Boston, Museum of Fine Arts, <em>Arts and Crafts Exhibition</em>, May 17–June 10, 1911, cat. 684 (organized by the Society of Arts and Crafts of Boston).
• Boston, Society of Arts and Crafts of Boston, [Salesroom], Oct. 22–29, 1912.
• San Francisco, Panama–Pacific International Exposition, Feb. 20–Dec. 4, 1915 (awarded gold medal).
• Boston, Museum of Fine Arts, <em>“The Art That Is Life”: The Arts and Crafts Movement in America, 1875–1920</em>, Mar. 4–May 31, 1987, cat. 19; Los Angeles County Museum, Aug. 16–Nov. 1, 1987; Detroit Institute of Arts, Dec. 9, 1987–Feb. 28, 1988; New York, Cooper Hewitt Museum, Apr. 5–June 26, 1988.

• <em>Exhibition of the Society of Arts and Crafts, Copley Hall</em> (Society of Arts and Crafts, 1907) 41, cat. 684.
• Frederick Krasser, "Something about Locksmithing and Hardware in General" <em>Handicraft</em> 3, no. 12 (Mar., 1911).
• "A Remarkable Iron Lock" <em>Art and Progress</em> 2, no. 6 (Apr., 1911): 181, <a href="https://www.jstor.org/stable/20560359">https://www.jstor.org/stable/20560359</a>.
• F. Allen Whiting, "Arts and Crafts: At the Museum of Fine Arts, Boston," <em>Art and Progress</em> 2, no. 9 (July, 1911): 263, <a href="https://www.jstor.org/stable/20560433">https://www.jstor.org/stable/20560433</a>.
• "A Wrought-Iron Lock," <em>Arts & Decoration</em> 1, no. 10 (Aug., 1911): 407 (ill.), <a href="https://www.jstor.org/stable/43799554">https://www.jstor.org/stable/43799554</a>.
• "Works by Master Craftsmen," <em>Art and Progress</em> 4, no. 2 (Dec., 1912) 811, <a href="https://www.jstor.org/stable/20560808">https://www.jstor.org/stable/20560808</a>.
• Ralph Bergengren, "An Adventure in the Medieval," <em>House Beautiful</em> 37 (Jan., 1915), 47.
• "Notes," <em>Bulletin of the Art Institute of Chicago</em> 20, no. 6 (Sept., 1926): 84 (ill.), <a href="https://www.jstor.org/stable/4112038">https://www.jstor.org/stable/4112038</a>.
• "Accessions and Loans," <em>Bulletin of the Art Institute of Chicago</em> 20, no. 7 (Oct., 1926): 101, <a href="https://www.jstor.org/stable/4120460">https://www.jstor.org/stable/4120460</a>.
• </em>International Studio</em> 84 (1926): 29.
• "Report of the Trustees," <em>Forty-Eighth Annual Report</em> (Art Institute of Chicago, 1926), 18 <a href="https://hdl.handle.net/2027/mdp.39015062810612?urlappend=%3Bseq=26%3Bownerid=3191226-30">https://hdl.handle.net/2027/mdp.39015062810612?urlappend=%3Bseq=26%3Bownerid=3191226-30</a>.
• Katharine Gibson, <em>The Goldsmith of Florence: A Book of Great Craftsmen</em> (The MacMillian Company, 1929), 203 (ill.).

Garniture for Field and Foot Tourney at the Barriers

Art Institute of Chicago

Armor for Heavy Calvary (Cuirassier)

Art Institute of Chicago

Revised Panoramic View of Yokohama (Saikai Yokohama fukei)

Art Institute of Chicago

Blast Furnaces, Heads, Frontal Views

Art Institute of Chicago

Among the Redwoods

Art Institute of Chicago

Triptych Window from the Coonley Playhouse, Riverside, Illinois

Art Institute of Chicago

De la nada vida a la nada muerte

Art Institute of Chicago

Desk

Art Institute of Chicago

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