Lucie Berard (Child in White)

1. Commissioned by Paul Berard (1833-1905) (father of sitter), Wargemont and Paris [per Bailey 1997]; sold, Paul Berard sale, Galerie Georges Petit, Paris, May 8, 1905, lot 20, to, J. E. D. Pieyre Lacombe de Mandiargues (1879–1916) (husband of sitter), for 10,030 francs [per auction catalogue, 1905]. André Schoeller, Paris, by May 25, 1912 [this and the following per Dauberville and Dauberville 2009]; sold to Bernheim-Jeune, Paris, May 25, 1912, for 11,000 francs; sold to Martin A. Ryerson (d. 1932), Chicago, February 26, 1913, for 23,500 francs [per purchase receipt from Bernheim-Jeune to Monsieur A. [sic] Ryerson, photocopy in curatorial object file]; Bequeathed to the Art Institute of Chicago, 1933.

Recorded by Art Institute of Chicago.

• Possibly Paris, Durand-Ruel, Exposition des oeuvres de P.-A. Renoir, Apr. 1–25, 1883, cat. 20, as Portrait. Appartenant à M. Berard.
• Paris, Grand Palais des Champs-Élysées, Salon d’automne, Oct. 18–Nov. 25, 1905, cat. 1322, as Portrait d’enfant en robe blanche.
• Paris, Bernheim-Jeune, Exposition Renoir, Mar. 10–29, 1913, cat. 25, as L’enfant en robe blanche. App. à M. R.
• Pittsburgh, Carnegie Institute, Paintings: Édouard Manet, Pierre Renoir, Berthe Morisot, Oct. 15–Dec. 1, 1924, cat. 20.
• Art Institute of Chicago, “A Century of Progress”: Loan Exhibition of Paintings and Sculpture, May 23–Nov. 1, 1933, cat. 339.
• Philadelphia, Pennsylvania Museum of Art, Manet and Renoir, Nov. 29, 1933–Jan. 1, 1934, no cat. no.
• Art Institute of Chicago, “A Century of Progress”: Loan Exhibition of Paintings and Sculpture for 1934, June 1–Oct. 31, 1934, cat. 227.
• Art Institute of Chicago, Paintings by Renoir, Feb. 3–Apr. 1, 1973, cat. 46 (ill.).
• Sydney, Art Gallery of New South Wales, Modern Masters, Manet to Matisse, Apr. 10–May 11, 1975, cat. 96 (ill.); Melbourne, National Gallery of Victoria, May 28–June 22, 1975; New York, Museum of Modern Art, Aug. 4–Sept. 28, 1975.
• Tokyo, Seibu Museum of Art, Shikago bijutsukan insho-ha ten [The Impressionist tradition: Masterpieces from the Art Institute of Chicago], Oct. 18–Dec. 17, 1985, cat. 37 (ill.); Fukuoka Art Museum, Jan. 5–Feb. 2, 1986; Kyoto Municipal Museum of Art, Mar. 4–Apr. 13, 1986.
• Ottawa, National Gallery of Canada, Renoir’s Portraits: Impressions of an Age, June 27–Sept. 14, 1997, cat. 47 (ill.); Art Institute of Chicago, Oct. 17, 1997–Jan. 4, 1998; Fort Worth, Tex., Kimbell Art Museum, Feb. 8–Apr. 26, 1998.
• Rome, Galleria Nazionale d’Arte Moderna e Contemporanea, Aug. 21, 2001–Jan. 23, 2002.

• Possibly Durand-Ruel, Paris, Catalogue de l’exposition des oeuvres de P.-A. Renoir, exh. cat. (Pillet et Dumoulin, 1883), p. 11, cat. 20.
• Société du Salon d’Automne, Catalogue de peinture, dessin, sculpture, gravure, architecture et art décoratif, exh. cat. (Cie Français des Papiers-Monnaie, 1905), p. 146, cat. 1322.
• Galerie Georges Petit, Paris, Catalogue des tableaux modernes, aquarelles, pastels . . . , Provenant de la collection de feu M. Paul Berard, sale cat. (Georges Petit, Paris, May 8–9, 1905), pp. 30–31, lot 20 (ill.).
• Bernheim-Jeune, Paris, Exposition Renoir, exh. cat. (Bernheim-Jeune, 1913), cat. 25.
• Bernheim-Jeune, Renoir, with a preface by Octave Mirbeau (Bernheim-Jeune, 1913), opp. p. 22 (ill.), p. 58.
• Art Institute of Chicago, General Catalogue of Paintings, Sculpture, and Other Objects in the Museum (Art Institute of Chicago, 1914), p. 211, cat. 2144.
• Guillaume Janneau, “Impressions d’Amérique,” Le bulletin de la vie artistique 2, 8 (Apr. 15, 1921), p. 237 (ill.).
• Carnegie Institute, Exhibition of Paintings: Edouard Manet, Pierre Renoir, Berthe Morisot, exh. cat. (Carnegie Institute, [1924]), no. 20.
• Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection (Art Institute of Chicago, 1925), p. 162, cat. 2153.
• M. C., “Renoirs in the Institute (Continued),” Bulletin of the Art Institute of Chicago 19, 4 (Apr. 1925), pp. 48, 49 (ill.).
• Ambroise Vollard, Renoir: An Intimate Record, trans. Harold L. Van Doren and Randolph T. Weaver (Knopf, 1925), p. 241.
• Daniel Catton Rich, “Französische Impressionisten im Art Institute zu Chicago,” Pantheon: Monatsschrift für Freunde und Sammler der Kunst 11, 3 (Mar. 1933), p. 78. Translated by C. C. H. Drechsel as “French Impressionists in the Art Institute of Chicago,” Pantheon/Cicerone (Mar. 1933), p. 18.

Young Girl Bathing

The Metropolitan Museum of Art

Tilla Durieux (Ottilie Godeffroy, 1880–1971)

The Metropolitan Museum of Art

Eugène Murer (Hyacinthe-Eugène Meunier, 1841–1906)

The Metropolitan Museum of Art

Madame Georges Charpentier (Marguerite-Louise Lemonnier, 1848–1904) and Her Children, Georgette-Berthe (1872–1945) and Paul-Emile-Charles (1875–1895)

The Metropolitan Museum of Art

The Daughters of Catulle Mendès, Huguette (1871–1964), Claudine (1876–1937), and Helyonne (1879–1955)

The Metropolitan Museum of Art

A Road in Louveciennes

The Metropolitan Museum of Art

Still Life with Flowers and Prickly Pears

The Metropolitan Museum of Art

Nini in the Garden (Nini Lopez)

The Metropolitan Museum of Art

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