Magnolias on Light Blue Velvet Cloth

1. Private collection, Chestnut Hill, Penn., by 1975; Spanierman Gallery, New York Cit, 1983; sold to the Art Institute of Chicago, 1983.

Recorded by Art Institute of Chicago.

• New York City, M. Knoedler and Company, The American Vision, Paintings 1825–1875, Oct. 8–Nov. 2, 1968, cat. 43.

• Theodore E. Stebbins, Jr., The Life and Works of Martin Johnson Heade (Yale University Press, 1975), p. 276, no. 331.
• A Record of Sharing (Art Institute of Chicago, 1984), p. 24 (ill.).
• The Art Institute of Chicago Annual Report, 1983–1984, (Art Institute of Chicago, 1984), p. 9, fig. 8.
• Master Paintings in the Art Institute of Chicago (Little, Brown, and Company, 1988), p. 92 (ill.).
• Judith A. Barter, et al., American Arts at The Art Institute of Chicago: From Colonial Times to World War I (Art Institute of Chicago, 1998).
• Judith A. Barter, "True to the Senses and False in Its Essence: Still–Life and Trompe l'Oeil Painting in Victorian America," Museum Studies 31, 1 (Art Institute of Chicago, 2005) p. 38 (ill.).
• Paintings at the Art Institute of Chicago: Highlights of the Collection, (Art Institute of Chicago/Yale University Press, 2017) p. 88.

York Harbor, Coast of Maine

Art Institute of Chicago

Sailboat and Haystacks on Newbury Marsh

Art Institute of Chicago

Martin Vanden Bogaert Desjardins

Art Institute of Chicago

Arch, Midnight

Art Institute of Chicago

Husking Bee, Island of Nantucket

Art Institute of Chicago

Sanctuary

Art Institute of Chicago

Saint Christopher Meets Satan; Saint Christopher before the King of Lycia

Art Institute of Chicago

Elizabeth Grant Bankson Beatty (Mrs. James Beatty) and Her Daughter Susan

Art Institute of Chicago

Museum holdings, not sale records. Auction results are only shown when a licensed price source is connected.