Man of Sorrows by Marion Perkins
Art Institute of Chicago

Man of Sorrows

Marion Perkins · 1950

Provenance

Ownership history

  1. The artist, 1950; sold to the Art Institute of Chicago, 1951.

Recorded by Art Institute of Chicago.

Exhibitions

Exhibition history

  • Chicago, Art Institute of Chicago, <em>55th Annual Exhibition, Artists of Chicago and Vicinity</em>, May 31–July 8, 1951, cat. 130 (ill.).
  • New York, The Downtown Gallery, <em>Artists of Chicago</em>, Sept. 14–Oct. 2, 1954, cat. 28; 1020 Art Center, Chicago, Illinois, Oct. 15–Nov. 15, 1954, cat. 30.
  • Highland Park, IL, Willet House, <em>Week of Art in Highland Park</em>, Feb. 2–Mar. 1, 1959.
  • Chicago, The Art Institute of Chicago, <em>Art in Illinois, In Honor of the Illinois Sesquicentennial</em>, June 15– Sept. 8, 1968, checklist only.
  • Springfield, Illinois, Illinois State Museum, <em>Painters and Sculptors in Illinois: 1820–1945</em>, Oct. 30–Dec. 12, 1971; Krannert Art Museum, University of Illinois, Champaign, Illinois, Feb. 6–27, 1972; Lakeview Center for the Arts and Sciences, Peoria, Illinois, Mar. 10–Apr. 16 1972; Chicago Historical Society, Apr. 26–June 24, 1972, cat. 61 (ill.). Organized by Illinois Arts Council.
  • Los Angeles County Museum of Art, <em>Two Centuries of Black American Art</em>, Sept. 30–Oct. 21, 1976, cat. 138 (ill.); High Museum of Art, Atlanta, Georgia, Jan. 8– Feb. 20, 1977; Museum of Fine Arts, Dallas, Texas, Mar. 30,–May 15, 1977; The Brooklyn Museum, June 25–Aug. 21, 1977.
  • Chicago Public Library Cultural Center, <em>Marion Perkins</em>, Feb. 19–Apr. 1, 1979, no cat.
  • Museum of Contemporary Art, Chicago, Illinois, <em>Art in Chicago, 1945–1995</em>, Nov. 16, 1996–Mar. 23, 1997, cat. 16 (ill.).
  • Chicago, Spertus Museum, <em>A Force for Change: African American Art and the Julius Rosenwald Fund</em>, 2 Feb–5 June 2009; Allentown Art Museum, Sept. 13, 2009–Jan. 10, 2010; Montclair Art Museum, Feb. 6–July 25, 2010 (Chicago only).
  • Art Institute of Chicago, <a href="https://www.artic.edu/exhibitions/1567/they-seek-a-city-chicago-and-the-art-of-migration-1910-1950"><em>They Seek a City: Chicago and the Art of Migration, 1910–1950</em></a>, Mar. 3–June 3, 2013, cat. 93.

Literature

Published references

  • C. J. Bullict, "Student Takes Highest Chicago Honors," <em>The Art Digest</em> (June 1, 1951): 12 (ill.).
  • Marion Perkins, <em>Problems of the Black Artist</em> (Free Black Press, 1971), ill. cover.
  • Andrew Patner, "Breaking Barriers: A Chicago Artist's Posthumous Acclaim," <em>Chicago Sun-Times</em>, October 24, 1999, 6E (ill.).
  • Daniel Schulman, “Marion Perkins: A Chicago Sculptor Rediscovered,” <em>Art Institute of Chicago Museum Studies</em> 24, 2 (1999), 220–243, figs. 1, 21.
  • Susan F. Rossen, “Introduction,” <em>Art Institute of Chicago Museum Studies</em> 24, 2 (1999), 141.
  • Judith A. Barter, et al., <em>American Modernism at the Art Institute of Chicago, From World War I to 1955</em> (Art Institute of Chicago, 2009), cat. 170.
  • Julia Perkins, Michael Flug, and David Lusenhof, eds., <em>"to see reality in a new light": The Art and Activism of Marion Perkins</em>, exh. cat. (Vivian G. Harsh Society and Third World Press, 2013), 28–29 (ill.).
  • Sarah Kelly Oehler, <em>They Seek a City: Chicago and the Art of Migration</em>, exh. cat. (Art Institute of Chicago, 2013), 91–93, cat. 93 (ill.).
  • Jordan Carter and Sarah Kelly Oehler, "Black Art Matters to This Prominent Museum," interview by Wendy Altschuler, <em>Forbes</em>, June 8, 2020, <a href="https://forbes.com/sites/wendyaltschuler/2020/06/08/black-art-matters-to-this-prominent-museum"> https://forbes.com/sites/wendyaltschuler/2020/06/08/black-art-matters-to-this-prominent-museum</a>.

Comparables

Related holdings by the same hand

Museum holdings, not sale records. Auction results are only shown when a licensed price source is connected.

Research assistant

Ask about this record