Mao

1. Sold by the artist through Leo Castelli Gallery, New York, to the Art Institute of Chicago, 1974.

Recorded by Art Institute of Chicago.

• Paris, Musee Galliera, Andy Warhol Mao, Feb. 23–Mar. 18, 1974, no cat.
• Art Institute of Chicago, Seventy-First American Exhibition, June 15–Aug. 11, 1974, cat. 91 (illustration is of a different version).
• New York, Museum of Modern Art, Andy Warhol: A Retrospective, Feb. 6–May 2, 1989, cat 361; Art Institute of Chicago, June 3–Aug. 13, 1989; London, Hayward Gallery, Sept. 7–Nov. 5, 1989; Cologne, Museum Ludwig, Nov. 21, 1989–Feb. 11, 1990; Venice, Palazzo Grassi, Feb. 25–May 27, 1990; Paris, Centre Georges Pompidou, June 21–Sept. 10, 1990, (New York and Chicago only).
• Pittsburgh, Andy Warhol Museum, long-term loan for inaugural installation, Jan. 1994–Mar. 1997.
• Mexico City, Fundacion Jumex Arte Contemporaneo, Andy Warhol. Dark Star, June 1–Sept. 17, 2017, no cat. no, as Mao, 1973.
• New York, Whitney Museum of American Art, Andy Warhol–From A to B and Back Again, Nov. 12, 2018–Mar. 31, 2019, no cat. no.; San Francisco Museum of Modern Art, May 19–Sept. 2, 2019; Art Institute of Chicago, Oct. 20, 2019–Jan. 26, 2020 (San Francisco and Chicago only).

• Nick Baldwin, 'Super-Realism’ at Chicago,” Des Moines Register, July 7, 1974 (ill).
• Douglas Davis, “Summing Up the Season,” Newsweek, July 1, 1974, p. 73 (ill.)
• J. A., “American Art ’74: It Defies Classification,” Milwaukee Journal, August 4, 1974 (ill).
• Bill Marvel, “Today’s Trend Is No Trend—Fun for Artists, if Not Critics,” Art Picture, August 17, 1974.
• Hilton Kramer, “Art: Esthetic Smorgasbord in Chicago,” New York Times, July 6, 1974 (ill.)
• Alan G. Artner, “Cabbages, 'Curve,’ and Warhol’s Mao in American Closeup,” Chicago Tribune, Aug. 4, 1974.
• Anne Rorimer, Andy Warhol’s Mao, 1973, (Bulletin of Art Institute of Chicago, 69, 3 (May–June 1975), pp. 4–7 (ill).
• “Big Maoist Influence at the Art Institute,” Chicago Magazine, July 1978, p. 16 (ill).
• Hilton Kramer, “Art: Whitney Shows Warhol Works,” New York Times, November 23, 1979.
• Art Institute of Chicago, Master Paintings at The Art Institute of Chicago (Art Institute of Chicago/ Little, Brown, 1988), p. 191. 2d ed. (Art Institute of Chicago/Hudson Hills Press, 1999), p.158.
• Charles Stuckey, "Warhol in Context," in The Work of Andy Warhol, Discussions in Contemporary Culture, 3, ed. Gary Garrels (Seattle: Bay Press, 1989), p. 4.
• David Bourdon, Warhol/David Bourdon (Harry N. Abrams, 1989), pl. 248 (partial view).

Marilyn Monroe (Marilyn)

Art Institute of Chicago

Liz #3 [Early Colored Liz]

Art Institute of Chicago

Four Mona Lisas

Art Institute of Chicago

The Kiss (Bela Lugosi)

Art Institute of Chicago

Marilyn Monroe (Marilyn)

Art Institute of Chicago

Flowers

Art Institute of Chicago

Big Electric Chair

Art Institute of Chicago

Marilyn Monroe (Marilyn)

Art Institute of Chicago

Museum holdings, not sale records. Auction results are only shown when a licensed price source is connected.